From the above comparative study of _Tirant lo Blanch_ in relation to its sources, viz., Lull’s _Libre del Orde d’Cauayleria_, Muntaner’s _Chronica_, and the English romance, _Guy of Warwick_, we are convinced that these sources have furnished important ideas and material to Martorell. The features drawn from Lull’s work are few, but, on the other hand, they have been subjected to very little change. It is important, however, for it seems to have provided a starting point for the author. Guy of Warwick has yielded more concrete material than the other two sources, but it has been modified to suit the pleasure and to meet the needs of the author. Muntaner’s _Chronica_ did not furnish as many ideas and suggestions as _Guy of Warwick_, but the martial spirit of the Catalan and Aragonese warriors pervades a large part of the work.
It is not in our power to divine with certainty the plan as originally conceived by the author when he began his work. However, it is evident that he was intimately acquainted with Lull’s work and the English romance from the very beginning. It is quite probable that Martorell’s purpose was to make a hero of the squire who had received instructions pertaining to knighthood from the hermit, as related by Lull. This hermit reminded him of Guy of Warwick, whom he greatly admired, and he could not resist the temptation to reproduce that part of the English champion’s career which led to his retirement to a hermitage. Then, as we have already observed, the squire who is now Tirant lo Blanch meets the hermit, William of Warwick, after which he continues his way to the English court. A little more than a year later he returns to the hermit, and the latter is informed of the important events that took place in London. After a few days’ sojourn, Tirant returns to his native land, Brittany. His career is very promising, for he has been proclaimed the greatest knight in the exercises of arms at the English court. And now what is the young hero to do? Martorell had perhaps from the beginning of his work rather definite ideas in regard to his hero’s career. Still it is quite possible that he had made no fixed plan in advance, but selected the various spheres of Tirant’s activities during the course of the composition of his book. However that may be, Tirant’s career finally resolved itself into the following distinct spheres of operation: he succored the Knights of St. John on the island of Rhodes; after that, he joined the expedition of the King of France against the infidels; then he went to the aid of the Emperor of Constantinople; next he conquered and christianized Barbary; and finally he returned to Constantinople and reconquered all the lost territory of the Grecian empire. And now the question arises: Are all these various spheres of operation based on real historical events?