“Once Ionic harmony was in vogue, or Doric, or yet another sort, the Phrygian and Lydian, now it is the music of Aradus and the Phoenician modes that please you; you love this rhythm _par excellence_, as others do the Spondaic. Was ever a race of men that were good musicianers—through the nose?!
(p. 409). “But such a rhythm must needs have something to follow. You would seem not to know what; just as with other nations the wrath of the gods overtook some single part, the hands, the feet or the face[286], in the same way among you an endemic disease has attacked the nose. Just as the angry Aphrodité they say made the Lemnian women’s armpits abominable, know now that the gods in their anger have played havoc with the noses of most of your fellow citizens, and that is why they have this characteristic voice of their own. Indeed from where else could it have come?
“But _I_ say this thing is the mark of most infamous lewdness, of most infamous madness, of contempt for all decency (all morality), and (a proof) of the fact that there is no more any single thing held to be disgraceful. Their speech, their gait, their look, proclaim it.”
From this passage of Dio Chrysostom, who lived at the end of the First and beginning of the Second Century A.D., we see that at that period the vice of paederastia prevailed at Tarsus to an appalling extent; and very possibly it is this circumstance that gave occasion to the declaration of the Apostle St. Paul[287], whose native town of course Tarsus was, when he says:
“Wherefore God gave them up in the lusts of their hearts unto uncleanness, that their bodies should be dishonoured among themselves.... For their women[288] changed the natural use into that which is against nature; and likewise also the men, leaving the natural use of the woman, burned in their lust one toward another, men with men working unseemliness, and receiving in themselves that recompense of their error which was due.” This recompense was no doubt the ῥέγχειν (snoring), which according to _Reiske_ was the consequence of an affection of the throat and nose in which the breath was exhaled with a characteristic noise. To corroborate this view he quotes in his edition of Dio Chrysostom the following passage from _Ammianus Marcellinus_[289], who picturing the habits of the Romans in the middle of the Fourth Century, wrote thus: “Haec nobilium instituta. Ex turba vero imae sortis et pauperrimae, in tabernis aliqui pernoctant vinariis: nonnulli velabris umbraculorum theatralium latent, quae Campanam imitatus lasciviam Catulus in aedilitate sua suspendit omnium primus; aut pugnaciter aleis certant, _turpi sono fragosis naribus introrsum reducto spiritu concrepantes_.” (Such are the usages of the nobles. But of the masses, those of lowest and poorest lot, certain spend the night in wine-taverns, some lurk under the curtains of the theatre awnings,—which Catulus in his aedileship, imitating Campanian luxury, was the very first to erect; or quarrel and fight at dice, _making an ugly rattling sound the while by drawing in the breath through their rough nostrils_).