Mrs. David Sharp had been brought up by her father to read seriously, and to take an interest in his favourite study of Geology. It was she who watched over her son’s work at college, and made facilities for him to follow his special pursuits at home. But the boy was never urged to distinguish himself at college. He was considered too delicate to be subjected to severe mental pressure; and he met with no encouragement from either parent in his wish to throw himself into the study of science or literature as a profession, for such a course seemed to them to offer no prospects for his future. It was from Mrs. Sharp that her son inherited his Scandinavian physique and high colouring; for in appearance he resembled his fair-complexioned, tall maternal grandfather. The blend of nationalities in him, slight though the Swedish strain was, produced a double strain. He was, in the words of a friend, a Viking in build, a Scandinavian in cast of mind, a Celt in heart and spirit.

The long months each year by mountain and sea, and the devotion of his Highland nurse Barbara, and his delight in open-air life, were the most potent factors in the inward growth of his mind and spirit. From his earliest days he was a passionate lover of nature, a tireless observer of her moods and changes, for he had always felt himself to be “at one with nature, fellow with the winds and birds.” And Barbara, the Highland woman, it was she who told him stories of Faerie, crooned to him old Gaelic songs, and made his childish mind familiar with the heroes of the old Celtic Sagas, with the daring exploits of the Viking rovers and Highland chieftains. It was she who sowed the seeds in his mind of much that he afterward retold under the pseudonym of Fiona Macleod.

William Sharp (Fiona Macleod) — Part 5

There are two stories of his childhood I have heard him tell, which seem to me to show that from earliest years the distinctive characteristics of his markedly dual nature existed and swayed him. From babyhood his mind had been filled with stories of old heroic times, and in his play he delighted in being the adventurous warrior or marauding Viking. In the gray, inclement days of winter when he was shut up in his nursery away from the green life in the garden and the busy wee birds in the trees, he was thrown on the resources of his imagination to fill the long hours. One snowy day, when he was five years old, and he was tired of playing with his baby sisters, who could not sufficiently rise to the occasion and play the distressed damsels to his deeds of knightly chivalry, he determined to sally forth in search of adventure. He buckled his sword above his kilt—it was afternoon and the light was waning—stole downstairs and out of the house, hatless, with flying curls, and marched down the street to lay siege to the nearest castle. A short distance away stood the house of a friend of his father, and upon that the besieger turned his attack. It loomed in his mind as the castle of his desire. He strode resolutely up to the door, with great difficulty, on tiptoe, reached the handle of the bell, pulled a long peal, and then demanded of the maid that she and all within should surrender to him and deliver up the keys of the castle. The maid fell in with his humour, was properly frightened, and begged to be allowed to summon her mistress, who at once promised submission, led the victor into her room, and by a blazing fire gave him the keys in the form of much coveted sweets, held him in her lap till in the warmth he fell asleep, rolled him up in a blanket, and carried him home.

William Sharp (Fiona Macleod) — Part 5