In the poet's writing there are passages of a large historical understanding. Of all modern writers he is foremost Latin, in knowledge, in instinct for beauty and form, in love of tradition. Even in his erotic and mystical passages this vein of purest gold may be seen, this understanding of the potential greatness of the tradition into which he was born. What wonder, then, that the first fundamental passion of the mature man's soul should be his desire to proclaim once more the cause of Latin civilization, should be the ardor of fighting in his own manner with his weapon of inspired words the world battle? So it seemed to me as I listened to his voice in the stillness of that May night. The voice of Roman glory, of ancient ideals awoke an answering passion in the hearts of the thousands who had gathered there. "_Una grande e pura Italia ... sensa onta_." And it would be a lasting shame for Italy to keep out of the struggle that the allied nations were making, to take her "compensations" prudently and shrink back within a cowardly neutrality. Better any other fate.
So it seemed to that throng of eager, soul-hungry Italians who stood beneath the balcony of the hotel on the Pincian and drank the poet's fiery message like a full-bodied wine. At last they had found themselves.
"The voice of the piazza prevailed," the German Chancellor sneered in his denunciation of Italy at the conclusion. It can easily be imagined, the picture he made to himself, in his ugly northern office on Friedrichstrasse, of the influence that upset all German pressure and sent Italy into the war on the side of the Allies; that defeated the industry of the skilled ambassador, the will of the wily politician. The Chancellor saw one of those large public squares in which Latin countries abound, open centers in their close-built cities, where so much of the common life of the people goes on, now as it has for hundreds of years. For the piazza, descending in direct tradition from the ancient Forum, is the public hall of citizens, where they trade, gossip, quarrel, plot, love, and hate, from the crone sunning herself in a sheltered nook over her bag of chestnuts to the grandee whose palace windows open above the noisy commonalty. The Chancellor saw this common meeting-ground, this glorified street, filled with a ragged mob of "the baser quality," as on the operatic stage, emptily vocal or evilly skulking for mischief, like the _mafia_, the _apache_. He saw this loose gathering of irresponsibles suddenly stirred to evanescent passion against the real benefactors of their country by the secret agents of the Allies, "corrupted by English gold," in the mechanical melodrama of the German imagination, marching to and fro, attacking the shops and homes of worthy Germans, howling and stoning, by mere noise drowning the sober protests of reflecting citizens, intimidating a weak king, connived at by a bought government, pushing a whole nation into the bloody sacrifice of war out of mere recklessness of rioting--a piazza filled with the rabble minority who have nothing to lose because they neither fight nor pay.