Finally, being called back to his own country by the Aretines to the end that he might make a tabernacle for the Sacrament, while returning he was forced to stay in Bologna and to make the tomb of Pope Alexander V, who had finished the course of his years in that city, for the Convent of the Friars Minor. And although he was very unwilling to accept this work, he could not, however, but comply with the prayers of Messer Leonardo Bruni, the Aretine, who had been a highly-favoured Secretary of that Pontiff. Niccolò, then, made the said tomb and portrayed that Pope thereon from nature; although it is true that from lack of marble and other stone the tomb and its ornaments were made of stucco and brick-work, and likewise the statue of the Pope on the sarcophagus, which is placed behind the choir of the said church. This work finished, Niccolò fell grievously sick and died shortly afterwards at the age of sixty-seven, and was buried in the same church, in the year 1417. His portrait was made by Galasso of Ferrara, very much his friend, who was painting at that time in Bologna in competition with Jacopo and Simone, painters of Bologna, and one Cristofano--I know not whether of Ferrara, or, as others say, of Modena--who all painted many works in fresco in a church called the Casa di Mezzo, without the Porta di S. Mammolo. Cristofano painted scenes on one side, from the Creation of Adam by God up to the death of Moses, Simone and Jacopo painted thirty scenes, from the Birth of Christ up to the Last Supper that He held with the Apostles, and Galasso then painted the Passion, as it is seen from the name of each man, written below. These pictures were made in the year 1404, and afterwards the rest of the church was painted by other masters with stories of David, wrought with a high finish. And in truth it is not without reason that these pictures are held in much esteem by the Bolognese, both because, for old things, they are passing good, and also because the work, having been preserved fresh and vivacious, deserves much praise. Some say that the said Galasso, when very old, painted also in oil, but neither in Ferrara nor in any other place have I found any works of his save in fresco. A disciple of Galasso was Cosmè, who painted a chapel in S. Domenico at Ferrara, and the folding doors that close the organ of the Duomo, and many other works, which are better than the pictures of Galasso, his master.