Pindar, 73, 76, 113, 129; the house of, 243
Platæa, battle of, 87, 130, 135, 139, 168; Pheidias and statue for Platæa, 157
Plato, influence of Pythagoras on, 128; on feminine nudity, 82; sex problem, 180; the “Republic,” 209, 254; and Socrates, 231; and the Homeric gods, 232; his ideal philosophy, 234; Aristotle and, 253; influence of, 261
Plutarch on Spartan women, 90; on Periclean Athens, 150; the basis of his narratives, 228; his biographies, 262
Poetry, religious aspect of, 75; lyric, 119; lyric poets, 129; the epic, hexameter verse, the elegiac couplet, epigrams, pastoral, 249; Alexandria and poetry, 249; Aristotle and, 254
Political science, Aristotle and, 254, 255
Politics, Greek, 10; in the fourth century, 209; Plato, 254; Aristotle, 255
Pompeian frescoes and mosaics, 223; mosaic floor, 245; Greek art, 263
Portico, the Royal, 167; Portico of Freedom, 167; Decorated Portico, 167
Poseidon, the sea-god, 66; Athena and, 95, 152; worship, 96; of Mycale, 112; in the Parthenon frieze, 155; and the salt spring, 165; marks of his trident, 166
Pottery, design in, and progress, 19; Athenian, 112; red-figured style, 224; Panathenaic amphoræ, 225
Praxiteles, Statue of Brauronian Artemis, 164; Hermes, 169, 209; and Athens, 194; nudity in sculpture, 211; works of, 213
Pythagoras of Samos, philosophy of, 74, 127; immortality taught by, 190
Religion of the Stone Age, 18; prehistoric Greek, 34; early religious beliefs, 65; survival of, 67; and morality, 235
Religious significance of the games, 74-76; of poetry, 75
Republic, an Ideal, 254; of Aristotle, 256
Rhodes, 237, 244; gold coins of, 226; siege of, 252
Ridgeway, Prof. Wm., on the survival of early Greek language, 32; on naturalistic worship, 34; and the invaders of Greece, 38; on Homer, 51; and Greek drama, 173
Romans, the, and Greece, 245; and Greek philosophy, 258; and Hellenism, 260; and the control of Greece, 261; and Græco-Roman art, 265
Romantic, the, in the Greek character, 180
Sacrifice and ritual at Olympic Games, 77
Satyr, the young, by Praxiteles, 213, 214, 215
Sculpture of the Homeric period, 54; development of, 69; inspired by athletes, 80; Ionian, 123 _et seq._; earliest temple, 130; before Pheidias, 147; methods, 148; materials, 149; pediment figures, 150; metopes, 153; frieze (Parthenon), 153; statues by Pheidias, 156, 157; works of sculptors, 159-161; great sculptors, 159; minor sculptors, 192; of the fourth century, 211; materials, 212; anatomy, 212; supports, 213; works by Praxiteles, 213-217; convention, 216; tinted marble, 216; Scopas, 217; Lysippus, 218; works by unknown artists, 219; six greatest statues, 219; bronzes, 220; the Venus of Milo, 251; Græco-Roman, 265; the Laocoön, 265