Supposed Former Infatuation Junkie is the fourth studio album and second internationally released album by singer-songwriter Alanis Morissette, released by Maverick Records in the United States on November 3, 1998. The album was positively received by critics and performed well commercially, breaking the record for album sales in its first week by a female artist. The first single from the album, "Thank U", reached the top 20 of the US Billboard Hot 100. Morissette promoted the album with worldwide touring.
Inspired from her trip to India over late 1996 and early 1997, the album cover contains phrases from five precepts, a basic code of ethics of the followers of Buddhism.
Background
Morissette wrote "Thank U" and "Baba" after her trip to India in 1997. The protagonist of "Baba" goes on a spiritual pilgrimage to India where she encounters a guru who, like many spiritual teachers in India, is referred to as "Baba". The word "Baba" means "father" in the Hindi language. Morissette opened most of shows during the Junkie era with the song, and it was featured as an opener during her 2002 tours. It has been seldom played since then. "Baba" opened Morissette's performance on the television show MTV Unplugged in 1999, but it was excluded from the CD release Alanis Unplugged. Another live version of "Baba" was released on the No Boundaries: A Benefit for the Kosovar Refugees CD. In a 2012 interview with fans, director Kevin Smith confirmed that "Front Row" was partially inspired by a phone conversation he and Morissette once had. They were mutually attracted to each other but never actually dated. His suggestion of naming the reasons they were not a couple became part of the lyrics.
Critical reception
Supposed Former Infatuation Junkie was acclaimed by music critics. Stephen Thomas Erlewine from AllMusic called it a "clear step forward" and concluded that "Morissette is a weird acquired taste, due to her idiosyncratic vocals and doggedly convoluted confessionals – but [the album] certainly confirms that she doesn't quite sound like anyone else, either." The Village Voices Robert Christgau commented that he felt "privileged to listen along with all the young women whose struggles Morissette blows up to such a scale." Ken Tucker from Entertainment Weekly complimented Morissette's new style and wrote that "Morissette has used her year-plus recording hiatus and newfound star status wisely, in pursuit of a way to make a vulnerable, openhearted album in the face of intense commercial expectations." Slant Magazine critic Sal Cinquemani complimented Morissette's songwriting and concluded that while the album "is nearly 15 minutes too long (did an ode to her mother, the sweet 'Heart of the House,' really need to be made public?)... not one moment of Junkies 70-plus minutes is less than captivating."
Despite the B+ grade from Ken Tucker in 1998, fellow Entertainment Weekly music critic David Browne was much harsher. In the Spring 2000 Tenth Anniversary issue of Entertainment Weekly, in a retrospective article discussing popular music in the 1990s, Browne wrote "Musically speaking, easy targets abounded--does anyone beyond family remember Hammer's gangsta makeover or Vanilla Ice's live album? At least we could laugh at those, whereas the decade's foremost clunker--Alanis Morisette's Supposed Former Infatuation Junkie--was corporate grunge and victim-culture whining incarnate." It was also listed amongst "the worst albums ever" by Q magazine.