The author had attended the "Upper Singing-Schools" for the sake of more musical experience. Yet she then sang at sight perfectly, with any number of voices. She has left three published songs, dedicated to the Marchioness of Hastings, and a large number of manuscript poems.
Her character was in perfect keeping with the high tone of her books. Noble, generous, and self-forgetting, tender and most faithful in friendship, burning with indignation at injustice shown to another, longing to find virtues instead of digging for faults,--her greatest suffering arose from pained surprise, when persons proved themselves less noble than she had deemed them.
Her rich imagination and slender purse were open to all beggars, but for herself she asked nothing, and was constantly a willing sufferer from her own inability to toady a patron or to make a good bargain with a publisher.
She felt most warmly for her friends in America, whose comprehension of her views, and honest, open appreciation of her books, inspired her with an ardent desire to write for them a romance in her very best manner. She had sketched two, and, doubtful which to proceed with first, contemplated sending both to an American friend for his decision; but constant suffering stayed her hand.
In the early spring she grew weaker day by day, and died on the 13th of March, at Brixton, in England, at the age of thirty-two.
Those who loved either her person or her works will find her place forever empty.
Among her manuscript papers I found this sketch, which has a peculiar significance now that the writer has passed away. It has never been printed.
I had been wandering, almost all day, in the cathedral of a town at some distance from London. I had sketched its carved pulpit, one or two cherub faces looking down from its columns, some of its best reliefs, and its oldest monument. It was evening, and I could no longer see to draw, though pencillings of light still fell on the pavement through the larger windows, whose colors were softened like those of the lunar rainbow; and still the edges of the stalls were gilded with the last gleams of sunset, though the seats were filled already with those phantoms which twilight seems to create in such a place. The monuments looked calmer and less formal than when daylight bared all their defects of design or finish; they seemed now worthy of their position beneath the vaulted roof, and even, adjuncts themselves to the harmony of the architecture. One among them, noticeable in the daytime for its refined workmanship, now gleamed out fresher and whiter than the rest, as was natural, for it had been placed there but a little while; but it had besides more _expression_, in its very simplicity, than such-like mementos of stone or marble usually contain. This was the memento of a husband's regret, and, as such, touching, however vain: a delicate form drooping on a bier, at whose head stood an angel, with an infant in his arms, which he raised to heaven with an air of triumph; while at the foot of the death-bed a figure knelt, in all the relaxed abandonment of woe. Marvellously, and out of small means, the chisel had conveyed this impression; for the kneeling figure was mantled from head to foot, and had its face hidden in the folds of the drapery which skirted the bier,--veiled, like the face of the tortured father in the old tragic tale.