This is an age of great publicity. Not only are our streets well lighted, but also our lives. The cosy nooks and corners, crannies, and dark places where, in old-fashioned days, men hugged their private vices without shamefacedness have been swept away as ruthlessly as Seven Dials. All the questionable pursuits, fancies, foibles of silly, childish man are discussed grimly and at length in the newspapers and magazines. Our poor hobby-horses are dragged out of the stable, and made to show their shambling paces before the mob of gentlemen who read with ease. There has been much prate lately of as innocent a foible as ever served to make men self-forgetful for a few seconds of time--the collecting of first editions. Somebody hard up for 'copy' denounced this pastime, and made merry over a _virtuoso's_ whim. Somebody else--Mr. Slater, I think it was--thought fit to put in a defence, and thereupon a dispute arose as to why men bought first editions dear when they could buy last editions cheap. Brutal, domineering fellows bellowed their complete indifference to Shakespeare's Quartos till timid _dilettanti_ turned pale and fled.

The fact, of course, is that in such a dispute as this there is but one thing to do--namely, to persuade the Attorney-General of the day to enter up a _nolle prosequi_, and for him who collects first editions to go on collecting. There is nothing to be serious about in the matter. It is not literature. Some of the greatest lovers of letters who have ever lived--Dr. Johnson, for example, and Thomas de Quincey and Carlyle--have cared no more for first editions than I do for Brussels sprouts. You may love Moliere with a love surpassing your love of woman without any desire to beggar yourself in Paris by purchasing early copies of the plays. You may be perfectly content to read Walton's _Lives_ in an edition of 1905, if there is one; and as for _Robinson Crusoe_ and _Gulliver_ and the _Vicar of Wakefield_--are they not eternal favourites, and just as tickling to the fancy in their nineteenth-century dress as in their eighteenth? The whole thing is but a hobby--but a paragraph in one chapter of the vast, but most agreeable, history of human folly. If John Doe is blankly indifferent to Richard Roe's Elizabethan dramatists, it is only fair to remember how sublime is Richard's contempt for John's collection of old musical instruments. If these gentlemen are wise they will discuss, when they meet, the weather, or the Death Duties, or some other extraneous subject, and leave their respective hobbies in the stable. Never mind what your hobby is--books, prints, drawings, china, scarabaei, lepidoptera--keep it to yourself and for those like-minded with you. Sweet indeed is the community of interest, delightful the intercourse which a common foible begets; but correspondingly bitter and distressful is the forced union of nervous zeal and pitiless indifference. Spare us the so-called friends who come and gape and stare and go! What is more painful than the chatter of the connoisseur as it falls upon the long ears of the ignoramus! Collecting is a secret sin--the great pushing public must be kept out. It is sheer madness to puff and praise your hobby, and to invite Dick, Tom, and Harry to inspect your stable: such conduct is to invite rebuff, to expose yourself to just animadversion. Keep the beast in its box. This is my first advice to the hobby-hunter.

In the Name of the Bodleian and Other Essays — Part 23