[Sidenote: Every Generation shows Special Characteristics of Speech]
Our mode of speech and of writing in this twentieth century is not precisely that of Shakespeare or Milton, even though the fundamentals are the same. We live in a nervous, hurrying age, and our language is more nervous, more terse than it was even twenty years ago. We "speed up" our sentences, just as we "speed up" our stories and our articles. We have not time for lengthy introductions that arrive nowhere, and for ornate perorations that are superfluous. "Labour-saving" and "conservation of energy" are prominent watchwords of this present age, and are being applied to our language no less than to our work.
In order to get through all we must get through in a day (or, at any rate, all that we imagine we must get through!) it has become an unwritten law that the same thing must not be done twice over; more than this, we try to find the shortest cut to everywhere. As one result, we do not use two words where one will suffice; only the undisciplined, untrained mind employs a string of adjectives where one will convey the same idea, or repeats practically the same thing several times in succession.
Of course, all this curtailment can be--and often is--carried to excess, till only a few essential words are left in a sentence, and these are clipped of half their syllables; we find much of this in the newspapers and the periodicals of an inferior class. And it could be pushed so far, till at length we got to communicate with one another by nothing more than a series of grunts and snaps and snarls!
[Sidenote: Modernity of Style is Desirable]
But I am not dealing with the forms of speech used by the illiterate or the half-educated; I am referring to the language used by the most intelligent of the educated classes, and I want the amateur to remember that this is not necessarily the language of Shakespeare, even though the same words be employed. There is a subtle difference in the placement of words, in the turn of phrases, in the strength and even the meaning of words, in the shaping of sentences, and that difference is what, for want of a better word, I term "modernity," and it is a quality that the amateur requires to cultivate.