I couldn’t help regarding the presence of this latter lady in Limbert’s life as the major complication: whatever he attempted it appeared given to him to achieve as best he could in the mere margin of the space in which she swung her petticoats. I may err in the belief that she practically lived on him, for though it was not in him to follow adequately Mrs. Highmore’s counsel there were exasperated confessions he never made, scanty domestic curtains he rattled on their rings. I may exaggerate in the retrospect his apparent anxieties, for these after all were the years when his talent was freshest and when as a writer he most laid down his line. It wasn’t of Mrs. Stannace nor even as time went on of Mrs. Limbert that we mainly talked when I got at longer intervals a smokier hour in the little grey den from which we could step out, as we used to say, to the lawn. The lawn was the back-garden, and Limbert’s study was behind the dining-room, with folding doors not impervious to the clatter of the children’s tea. We sometimes took refuge from it in the depths--a bush and a half deep--of the shrubbery, where was a bench that gave us a view while we gossiped of Mrs. Stannace’s tiara-like headdress nodding at an upper window. Within doors and without Limbert’s life was overhung by an awful region that figured in his conversation, comprehensively and with unpremeditated art, as Upstairs. It was Upstairs that the thunder gathered, that Mrs. Stannace kept her accounts and her state, that Mrs. Limbert had her babies and her headaches, that the bells for ever jangled at the maids, that everything imperative in short took place--everything that he had somehow, pen in hand, to meet and dispose of in the little room on the garden-level. I don’t think he liked to go Upstairs, but no special burst of confidence was needed to make me feel that a terrible deal of service went. It was the habit of the ladies of the Stannace family to be extremely waited on, and I’ve never been in a house where three maids and a nursery-governess gave such an impression of a retinue. “Oh, they’re so deucedly, so hereditarily fine!”--I remember how that dropped from him in some worried hour. Well, it was because Maud was so universally fine that we had both been in love with her. It was not an air moreover for the plaintive note: no private inconvenience could long outweigh for him the great happiness of these years--the happiness that sat with us when we talked and that made it always amusing to talk, the sense of his being on the heels of success, coming closer and closer, touching it at last, knowing that he should touch it again and hold it fast and hold it high. Of course when we said success we didn’t mean exactly what Mrs. Highmore for instance meant. He used to quote at me as a definition something from a nameless page of my own, some stray dictum to the effect that the man of his craft had achieved it when of a beautiful subject his expression was complete. Well, wasn’t Limbert’s in all conscience complete?