Then again, as Rupert tells you, it was I who suggested to him the writing of his story. And well I recall how he demurred, asking:

"But what am I to write about?" For he was always diffident and unconscious of his power.

Tell England — Part 2

"Is Gallipoli nothing to write about?" I retorted. "And you can't have spent five years at a great public school like Kensingtowe without one or two sensational things. Pick them out and let us have them. For whatever the modern theorists say, the main duty of a story-teller is certainly to tell stories."

Tell England — Part 2

"But I thought," he broke in, "that you're always maintaining that the greatest fiction should be occupied with Subjective Incident."

Tell England — Part 2

"Don't interrupt, you argumentative child," I said (you will find Rupert is impertinent enough in one place to suggest that I have a tendency to be rude and a tendency to hold forth). "Surely the ideal story must contain the maximum of Objective Incident with the maximum of Subjective Incident. Only give us the exciting events of your schooldays, and describe your thoughts as they happened, and you will unconsciously reveal what sort of scoundrelly characters you and your friends were. And when you get to the Gallipoli part, well, you can give us chiefly your thoughts, for Gallipoli, as far as dramatic incident is concerned, is well able to shift for itself."

Little wonder that I was fascinated to read Rupert's final manuscript. And, when I had finished the last words, I announced aloud a weighty decision: "We must have a Prologue, Rupert,"--though, to be sure, my study was empty at the time--"and it must give pictures of what your three heroes were like, when they were small, abominable boys."

And thereafter I busied myself in seeking information of the early childhood of Rupert Ray, Archibald Pennybet, and Edgar Gray Doe. Not without misgiving do I offer the result of these researches, for I fear all the time lest my self-conscious hand should profane Rupert's artless narrative.

In the year that the Colonel died he took little Rupert to see the swallows fly away. Colonel Ray was a stately, grey-bearded grandfather; and Rupert his flushed and blue-eyed grandson of six years old; and the two stood side by side and watched. Behind them lay the French town, Boulogne; beside them went the waters of the French river, the Liane. Suddenly Rupert, who had kept his blue eyes on a sky but little bluer, cried out excitedly: "There they are!" For him at that moment the most interesting thing in the world was the flight of swallows overhead. The Colonel, also, looked at the birds till they were out of sight, and then, after keeping silence awhile, uttered a remark which was rather sent in pursuit of the birds than addressed to his young companion. "I shall not see the swallows again," he said.