"A change effected in the programme at the Lyceum Theater on Saturday night makes Mr. Gilbert responsible for the whole entertainment of the evening. His fairy comedy of 'Pygmalion and Galatea,' is now supplemented by a new dramatic study in which, under the ambitious title 'Comedy and Tragedy,' he has been at special pains to provide Miss Mary Anderson with an effective _role_. This popular young actress has every reason to congratulate herself upon the opportunity for distinction thus placed in her way, for Mr. Gilbert has accomplished his task in a thoroughly workmanlike manner. In the course of a single act he has demanded from the exponent of his principal character the most varied histrionic capabilities, for he has asked her to be by turns the consummate actress and the unsophisticated woman, the gracious hostess and the vindictive enemy, the humorous reciter and the tragedy queen. Nor has he done this merely by inventing plausible excuses for a succession of conscious assumptions, such as those of the entertainer who appears first in one guise and then in another, that he may exhibit his deft versatility. There is a genuine dramatic motive for the display by the heroine of 'Comedy and Tragedy' of quickly changing emotions and accomplishments. She acts because circumstances really call upon her to act, and not because the showman pulls the strings of his puppet as the whim of the moment may suggest. The question is, how far Miss Anderson is able to realize for us the mental agony and the characteristic self-command of such a woman as Clarice in such a state as hers. The answer, as given on Saturday by a demonstrative audience, was wholly favorable; as it suggests itself to a calmer judgment the kindly verdict must be qualified by reservations many and serious. We may admit at once that Miss Anderson deserves all praise for her exhibition of earnest force, and for the nervous spirit with which she attacks her work. It is a pleasant surprise to see her depending upon something beyond her skill in the art of the _tableau vivant_. The ring of her deep voice may not always be melodious, but at any rate it is true, and the burst of passionate entreaty carries with it the genuine conviction of distress. What is missing is the distinction of bearing that should mark a leading member of the famous _troupe_ of players, grace of movement as distinguished from grace of power, lightening of touch in Clarice's comedy, and refinement of expression in her tragedy. At present the impersonation is rough and almost clumsy whilst, at times, the vigorous elocution almost descends to the level of ranting. Many of these faults may, however, have been due to Miss Anderson's evident nervousness, and to the whirlwind of excitement in which she hurried through her task; and we shall be quite prepared to find her performance improve greatly under less trying conditions."