In half an hour more he stopped to reconnoitre, turning off the path among the heather. His heart pulled him thither, yet for that very reason he would be cautious, and not risk the ultimate completeness of his vengeance. From the slope above he watched for ten minutes more, and, seeing no movement or sign of life in the village, concluded that here, too, the Greeks had risen, and, after driving out the Turks, had gone either to Petrobey or to Kalavryta. And as he looked he saw that a dozen houses at one spot were roofless, showing by their charred beams pointing up to the sky that they had been burned. At the end stood the church dedicated to the Mother of God; and, oh, the bitterness of that! It was there he had been married; from that door he had walked away with the dearest and fairest of women, the happiest man in Greece.

Nicholas hesitated no longer; it was still an hour before noon, and he did not care to travel during the day. He would go down once more to the place, he would see it all again, and let its memories scourge him into an even keener anguish, a keener lust for vengeance, and, putting his horse to an amble down the crumbling hill-side, in ten minutes more he stood in the straggling village street. There was the house--her house--just in front of him, and he went there first. The door was standing open, and inside he found, as Mitsos had found at Mistra, the signs of a sudden departure. His brother-in-law then, to whom the house belonged, must have gone to Petrobey, or Kalavryta, probably the latter, and the thought was wine to him. Husband and brother, a double vengeance, and his should be the work of three men!

The Vintage — Part 202

He had not eaten that day, but he soon found bread, meat, and wine, and, after stabling his horse and eating, he went out again to the church. Every step seemed a tearing open of the wound, yet with every step his heart was fed with fierce joy. Ah, no, Helen should not call in vain!

The Vintage — Part 202

The church door was open and he entered. It had not altered at all in those twenty years since he had seen it last. Over the altar hung a rude early painting, showing the Mother of God, and nestling in her arms the wondrous Child. In front the remote kings did obeisance, behind stood the ox and the ass in the stall. And casting himself down there, in an agony bitter sweet, he prayed with fervor and faith to the Mother of the Divine Child. All the hopes and the desires of years were concentrated into that moment, and he offered them up humbly, yet at his best, to the Lord and the Handmaid of the Lord. Then, in the excitement of his ecstasy, as he gazed on that rude picture with streaming eyes, it seemed to him that a sign of acceptance, visible and immediate, was given him. A light as steadfast, but milder than the sun, grew and glowed round the two figures, the rough craft of the artist was glorified, and on the face, so human yet divine, there came the soft and sudden graciousness of life; it was touched with a pitiful sympathy for him, and the eyes smiled acceptance of his offering. Bowed down by so wonderful a pity, he hid his face in his hands, faith struck fear from his heart, and in that moment he felt that he had not prayed alone, that his wife had knelt by him, and that it was her prayers mingled with his that had brought for him that signal favor of the Thrice Holy Maid on his work.

The Vintage — Part 202