The part that women have played in the progress of the South American republics is as interesting as it is little known. The name of the world's largest river--the Amazon, or more exactly speaking, the Amazons--stands as a lasting tribute to the bravery of the early women whom the explorer Orellana encountered during his conquest of the mighty flood.[3] For he named the river in honor of the tribes' fighting heroines. Centuries later, when one by one the provinces of South America rose to liberate themselves from the Spanish yoke, the women again played a noble part in the various revolutions. The statue in Colombia to Policarpa Salavarieta is but a symbol of South American gratitude to a host of women who fought side by side with their husbands during the trying days of the early nineteenth century. One of them, Manuela la Tucumana, was even made an officer in the Argentine army.

[3] This derivation of the river's name is by many considered fanciful. A more likely source of the designation is the Indian word "Amassona," i.e., boat-destroyer, referring to the tidal phenomenon known as "bore" or "proroca," which sometimes uproots tress and sweeps away whole tracts of land.

Brazilian Tales — Part 13

If women, however, have enshrined themselves in the patriotic annals of the Southern republics, they have shown that they are no less the companions of man in the more or less agreeable arts of peace. When one considers the great percentage of illiteracy that still prevails in Southern America, and the inferior intellectual position which for years has been the lot of woman particularly in the Spanish and Portuguese nations, it is surprising that woman's prominence in the literary world should be what it is.

Brazilian Tales — Part 13

The name of the original seventeenth century spirit known as Sor Inés de la Cruz (Mexico) is part of Spanish literature. Only recently has she been indicated as her nation's first folklorist and feminist! Her poems have found their way into the anthologies of universal poesy. The most distinguished Spanish poetess of the nineteenth century, Gertrudis Gómez de Avellaneda, was a Cuban by birth, going later to Spain, where she was readily received as one of the nation's leading literary lights. Her poetry is remarkable for its virile passion; her novel "Sab" has been called the Spanish "Uncle Tom's Cabin" for its stirring protest against slavery and its idealization of the oppressed race. She was a woman of striking beauty, yet so vigorous in her work and the prosecution of it that one facetious critic was led to exclaim, "This woman is a good deal of a man!"

Brazilian Tales — Part 13