No pen or pencil could give any idea of the intense feeling and excitement over that election. To realise its effect one must have seen the faces of business men in cities like New York--faces pallid with care, eyes restless with inquiry and uncertainty, mouths twitching with anxiety. To them Bryan spelt ruin. You could read that in the faces of every one of responsibility.

We had huge meetings and long speeches from morning to midnight. In the churches the pulpits were turned into hustings, and for the moment ministers preached the Gospel and McKinley in equal proportions. Miles of sound money men paraded the streets, and at night the rivers north and east were given over to political aquatic demonstrations. Huge banners flaunted the sky, and tons of party literature strewed the floors of every house; but the whole story was better told and more impressively demonstrated in the faces of those united in commerce--99 per cent. of the better class in the city. They looked worn and anxious; their words were words of confidence, but expressed with an uncertainty and reserve which were significant.

The Confessions of a Caricaturist, Vol 2 (of 2) — Part 69

One day I met a prominent citizen--an ardent Republican--and I asked him how he thought the elections were going. He said, "I feel like the old woman Ingersoll tells of, who did not believe in ghosts, but was terribly frightened of them." This reminds me that the Free-thinking Ingersoll had been stumping the country, and clergymen, such as Dr. Parkhurst, had been turning their pulpits into political platforms to bring their influence to bear on the voters. To all those who were in New York during that momentous time the scene will linger in their memories when the names of Bryan and McKinley have ceased to interest them.

The Confessions of a Caricaturist, Vol 2 (of 2) — Part 69

And the curious thing is that this is no exaggeration. To see, as I did, thousands of well-dressed city men marching past at quick time, with martial tread, to the music of innumerable bands, from half-past ten in the morning till seven o'clock at night, is a performance that Englishmen can hardly realise, and one that they will certainly never see in their own country. Its very seriousness, simplicity, and impressive monotony made it all the more striking. Not a soldier to be seen, no triumphal cars, no break in the stream of respectability mechanically moving throughout the day. In England, on public demonstrations, one goes to look at the crowd, but here the crowd was the procession. This political fever seemed to work up the enthusiasm of every man, woman, and child when the march was over, on, I may tell you, a bright, hot Indian summer's day in November.

The Confessions of a Caricaturist, Vol 2 (of 2) — Part 69