Nicolas Canniccioni is a Canadian cinematographer.
In 2009, Canniccioni served as additional director of photography for Xavier Dolan's I Killed My Mother. In 2015, he was nominated for a Canadian Screen Award for Best Cinematography in a Documentary with Jean-Pierre St-Louis for Where I'm From.
With director Simon Lavoie, he began shooting the film The Little Girl Who Was Too Fond of Matches on 4 September 2016 in Montreal and the Laurentides. Canniccioni and Lavoie chose to shoot in black and white, with Canniccioni employing a Red Epic Monochrome 6K camera. He was nominated for the Canadian Screen Award for Best Cinematography.
At the 7th Canadian Screen Awards, Canniccioni was nominated for Best Cinematography in a Documentary for First Stripes. He shot Kuessipan (2019) in Innu Takuaikan Uashat Mak Mani-Utenam and Sept-Îles, Quebec. For Kuessipan, he was nominated for Best Cinematography at the 22nd Quebec Cinema Awards.
Filmography
His films include: Journey's End (La Belle Visite) - 2010 Laurentia (Laurentie) - 2011 Small Blind (La mise à l'aveugle) - 2012 La Playa DC - 2013 The Demons (Les Démons) - 2015 X500 - 2016 Early Winter - 2016 Those Who Make Revolution Halfway Only Dig Their Own Graves (Ceux qui font les révolutions à moitié n'ont fait que se creuser un tombeau) - 2016 Genesis (Genèse) - 2018 The Castle (Le Château) - 2020 Bootlegger - 2021 Ousmane - 2021 A Respectable Woman (Une femme respectable) - 2023
References
External links
Canadian cinematographers
Living people
Year of birth missing (living people)