Charming Eighteenth Century prints that are full of valuable hints as to furniture and decorations for bedrooms can be found in most French shops. The series known as "_Moreau le Jeun_" is full of suggestion. Some of the interiors shown are very grand, it is true, but many are simple enough to serve as models for modern apartments. A set of these pictures will do much to give one an insight into the decoration of the Eighteenth Century, a vivid insight that can be obtained in no other way, perhaps.

I do not like the very large bedrooms, dear to the plans of the American architect. I much prefer the space divided. I remember once arriving at the Ritz Hotel in London and being given temporarily a very grand royal suite, overlooking the park, until the smaller quarters I had reserved should be ready for me. How delighted I was at first with all the huge vastness of my bedroom! My appreciation waned, however, after a despairing morning toilet spent in taking many steps back and forth from dressing-table to bathroom, and from bathroom to hang-closets, and I was glad indeed, when, at the end of several hours, I was comfortably housed in my smaller and humbler quarters.

The House in Good Taste — Part 76

I think the ideal bedroom should be planned so that a small ante-chamber should separate it from the large outside corridor. The ideal arrangement is an ante-chamber opening on the boudoir, or sitting-room, then the bedroom, with its dressing-room and bath in back. This outer chamber insures quiet and privacy, no matter how small it may be. It may serve as a clothes-closet, by filling the wall with cupboards, and concealing them with mirrored doors. The ante-chamber need not be a luxury, if you plan your house carefully. It is simply a little well of silence and privacy between you and the hall outside.

The House in Good Taste — Part 76

[Illustration: MISS CROCKER'S LOUIS XVI. BED]

The House in Good Taste — Part 76

To go on with my ideal bedroom: the walls, I think, should be simply paneled in wood, painted gray or cream or white, but if wood cannot be afforded a plastered wall, painted or distempered in some soft tone, is the best solution. You will find plain walls and gay chintz hangings very much more satisfying than walls covered with flowered papers and plain hangings, for the simple reason that a design repeated hundreds of times on a wall surface becomes very, very tiresome, but the same design in a fabric is softened and broken by the folds of the material, and you will never get the annoying sense of being impelled to count the figures.