_Saturday_.—I have been two days in Edinburgh, and so had not the occasion to write to you. Morley has accepted the _Fables_, and I have seen it in proof, and think less of it than ever. However, of course, I shall send you a copy of the _Magazine_ without fail, and you can be as disappointed as you like, or the reverse if you can. I would willingly recall it if I could.
Try, by way of change, Byron’s _Mazeppa_; you will be astonished. It is grand and no mistake, and one sees through it a fire, and a passion, and a rapid intuition of genius, that makes one rather sorry for one’s own generation of better writers, and—I don’t know what to say; I was going to say ‘smaller men’; but that’s not right; read it, and you will feel what I cannot express. Don’t be put out by the beginning; persevere, and you will find yourself thrilled before you are at an end with it.—Ever your faithful friend,
_Train between Edinburgh and Chester_, _August_ 8, 1874.
MY father and mother reading. I think I shall talk to you for a moment or two. This morning at Swanston, the birds, poor creatures, had the most troubled hour or two; evidently there was a hawk in the neighbourhood; not one sang; and the whole garden thrilled with little notes of warning and terror. I did not know before that the voice of birds could be so tragically expressive. I had always heard them before express their trivial satisfaction with the blue sky and the return of daylight. Really, they almost frightened me; I could hear mothers and wives in terror for those who were dear to them; it was easy to translate, I wish it were as easy to write; but it is very hard in this flying train, or I would write you more.
_Chester_.—I like this place much; but somehow I feel glad when I get among the quiet eighteenth century buildings, in cosy places with some elbow room about them, after the older architecture. This other is bedevilled and furtive; it seems to stoop; I am afraid of trap-doors, and could not go pleasantly into such houses. I don’t know how much of this is legitimately the effect of the architecture; little enough possibly; possibly far the most part of it comes from bad historical novels and the disquieting statuary that garnishes some façades.