(M146) When the house has been arranged and decorated for their reception, the skins of the bears, with their heads attached to them, are brought into it, not however by the door, but through a window, and then hung on a sort of scaffold opposite the hearth on which the flesh is to be cooked. This ceremony of bringing the bears' skins into the house by the window was not witnessed by the Russian travellers, who only learned of it at second hand. They were told that when the thin disc of fish-skin, which is the substitute for a pane of glass in the window, has been replaced after the passage of the bear-skins, a figure of a toad made of birch bark is affixed to it on the outside, while inside the house a figure of a bear dressed in Gilyak costume is set on the bench of honour. The meaning of this part of the ceremony, as it is conjecturally interpreted by Von Schrenck, may be as follows. The toad is a creature that has a very evil reputation with the Gilyaks, and accordingly they attempt to lay upon it, as on a scapegoat, the guilt of the slaughter of the worshipful bear. Hence its effigy is excluded from the house and has to remain outside at the window, a witness of its own misdeeds; whereas the bear is brought into the house and treated as an honoured guest, for fish and flesh are laid before it, and its effigy, dressed in Gilyak costume, is seated on the bench of honour.
(M147) The boiling of the bears' flesh among the Gilyaks is done only by the oldest men, whose high privilege it is; women and children, young men and boys have no part in it. The task is performed slowly and deliberately, with a certain solemnity. On the occasion described by the Russian travellers the kettle was first of all surrounded with a thick wreath of shavings, and then filled with snow, for the use of water to cook bear's flesh is forbidden. Meanwhile a large wooden trough, richly adorned with arabesques and carvings of all sorts, was hung immediately under the snouts of the bears; on one side of the trough was carved in relief a bear, on the other side a toad. When the carcases were being cut up, each leg was laid on the ground in front of the bears, as if to ask their leave, before being placed in the kettle; and the boiled flesh was fished out of the kettle with an iron hook, and set in the trough before the bears, in order that they might be the first to taste of their own flesh. As fast, too, as the fat was cut in strips it was hung up in front of the bears, and afterwards laid in a small wooden trough on the ground before them. Last of all the inner organs of the beasts were cut up and placed in small vessels. At the same time the women made bandages out of parti-coloured rags, and after sunset these bandages were tied round the bears' snouts just below the eyes "in order to dry the tears that flowed from them." To each bandage, just below the eyes, was attached a figure of a toad cut out of birch bark. The meaning of this appears to be, as Von Schrenck conjectured, as follows. With the carving of his inner organs, the heart, liver, and so forth, the bear sees that his fate is sealed, and sheds some natural tears at his hard lot. These tears trickle down his snout over the figure of the toad, which the poor deluded bear accordingly regards as the author of all the mischief. For he cannot blame the Gilyaks, who have treated him so kindly. Have they not received him as a guest in their house, set him on the seat of honour, given him of their best, and done nothing but with his knowledge and permission? Finally, have not their women shewn him the last delicate mark of attention by drying the tears that flow from his eyes and trickle down his nose? Surely then he cannot think that these kindly folk have done him any harm; it was all the fault of the unprincipled toad.