The churches on the lake are very numerous and very similar. The steeples are almost always gabled, and from these gables rise spires painted red, and very thin and taper in their form. The gabled sides of the towers are generally made useful rather than ornamental by the introduction of enormous clock-dials. The only decidedly mediæval church which I saw between Zurich and Rapperswyl was at one of the villages on the north shore of the lake, I think at Meilen, but I am rather uncertain as to the name. Its design is both novel and very good; the pinnacles on the gable being unusual in saddle-backed steeples, and giving considerable picturesqueness of outline. The accompanying woodcut will show the general character of the design, and it will be seen that the tower is on the north side of the choir. The steeple roof is covered with greyish-red tiles, with a pattern marked on them with yellow tiles.

[Illustration: CHURCH ON THE LAKE OF ZURICH.]

Brick and Marble in the Middle Ages — Part 25

The steamers on this, as on most Swiss lakes, are somewhat tedious in their journeys, as they take a most zigzag course, first calling on one side of the lake and then on the other, until one doubts whether one will ever reach the journey's end. At Horgen of course we discharged a large proportion of our English passengers, who were all bound for the Rigi, but their places were soon occupied by the umbrella-loving natives, who flocked in and out of the boat in great numbers at every station, and by the time we reached Rapperswyl we had no more fellow-countrymen in the boat, and perhaps, like many Englishmen, to say the truth, we then first thoroughly realised that we were abroad. Much as one loves one's country, certainly one source of pleasure when abroad is the not hearing too much English spoken or seeing too many English faces.

Brick and Marble in the Middle Ages — Part 25

At Rapperswyl, famous for having the longest bridge in the world, there is a most conspicuous group of buildings on rising ground above the lake, very picturesquely thrown together; it consists of a church and a castle; the latter has several towers capped with pyramidal and saddle-backed roofs, and the former has two towers in the position of transepts, with saddle-back roofs gabled north and south, the southern tower being considerably the larger of the two. Altogether, the group is one of uncommon variety and picturesqueness of outline. Below, in the town, is a small church, with a most happily-conceived though very simple bell-turret rising out of the roof, square in its plan, but capped with an octagonal spirelet. This is a not uncommon plan in this part of Switzerland, and is always most agreeable in its effect. The views from the terrace by the side of this castle are of singular beauty. It is high enough above the lake to command a good view of its whole expanse, and to secure a not too distant view of some of the mountain peaks of Glarus. Rapperswyl is a good point to stop at, for the sake of a visit to the famous pilgrimage church at Einsiedeln, certainly one of the spots in Switzerland most curious and interesting, though its buildings have no claims to our regard on the score of architectural beauty.

Brick and Marble in the Middle Ages — Part 25