Mossi Traoré (born May 28, 1985 in Paris, France) is a French fashion designer and the founder of the Mossi fashion label.
Early life
Traoré was born in the 18th arrondissement of Paris, into a modest family of Malian origin. His father was a garbage collector and his mother was a cleaning woman. He grew up in Villiers-sur-Marne, in the banlieue.
Although his mother and grandmother both practiced sewing, Traoré did not develop a passion for fashion and sewing until high school. He had a "click moment" when he applied to Mod'Art International school. "In order to validate my admission to the school, I had to read a book about the history of art that seemed like gibberish to me. However, when I was sent to see the 'Juste des vêtements' exhibit by Yohji Yamamoto at the MAD, I was captivated by the freedom to create," he said.
He dropped out of school one year before obtaining his degree. "I was working on the side and had to repay my student loan," he said.
Career
In 2011, Mossi Traoré found the phone number of fashion journalist Janie Samet, author of the book "Chère Haute Couture," in a directory. He called her to present his runway project. She introduced him to Didier Grumbach, the president of the 'Fédération de la haute couture et de la mode', who opened the doors to Paris Fashion Week for him. He did not hesitate to spend all of his savings on the runway show to "seduce potential buyers." However, this first participation in Paris Fashion Week, which was hastily prepared, was a failure. Mossi Traoré stated about it: "In two months, I had to create my company and develop a collection that was criticized. I failed. It took me a year to digest my failure."
At the start of his career, Mossi Traoré collaborated with Chinese stylist Zhen, whom he met while attending Mod'Art International. They collaborated starting in 2011 and created the brand Zhen & Mossi in 2016.
In 2017, he decided to end his collaboration with Zhen to relaunch Mossi. He stated about it, "Our visions were different, so it wasn't really me. When I relaunched the brand on my own, I wanted to start from scratch with my own codes and DNA."
Mossi
In 2017, Mossi Traoré relaunched the Mossi fashion label on his own. In 2020, Mossi presented his collection for the second time during the official calendar of Paris Fashion Week. With a "Made in Banlieue" added to the brand's logo. The same year, he received the Pierre Bergé award from the 'Association nationale pour le développement des arts de la mode' (distinction awarded to fashion designers producing their collections in France with revenues below 2 million euros). He was also selected to be among the brands promoted at the SPHERE Paris Fashion Week showroom, a program launched by the 'Fédération de la haute couture et de la mode' with DEFI and L'Oréal, and which supports French designers.
Influences
Mossi Traoré is influenced by the styles of John Galliano, Giorgio Armani, and Issey Miyake. However, his greatest source of inspiration is Germaine Émilie Krebs, also known as Alix Grès or Madame Grès. During his studies, he asked a professor for advice on creating dresses inspired by the ancient period, which he admires while watching the anime Saint Seiya. This professor directed him towards Alix Grès' creations. In 2011, he visited the exhibition at the Bourdelle Museum, the first retrospective dedicated to this great couturier, until then forgotten. According to L'Obs, "Mossi was the first to be enchanted by the sumptuous work on fabric, years ago" to the point of working towards opening a museum entirely dedicated to Madame Grès in Villiers-sur-Marne.
Style
Mossi Traoré's fashion vision is described as "urban, social, and committed". He advocates for accessible fashion and defines his style as "non-conforming" with "mixed cultural inspirations".
Following the 2014 Bombay Fashion Week, he expresses his fascination with Indian cinema and the sari, a traditional garment, from which he draws a lot of inspiration. He also draws inspiration from Khādī, a traditional hand-spun and hand-woven fabric.
Mossi Traoré explains that he does not dress a woman to "make her beautiful", but instead views clothing as a "work of art". "The construction and architecture of the garment is what interests me the most today. I struggle with everything that sparkles," he says.