Nothing with which we are familiar in architecture can give us a correct idea of that of the Moors. They piled up buildings without order, symmetry, or any attention to the external appearance they would present. All their cares were bestowed upon the interior of their structures. There they exhausted all the resources of taste and magnificence, to combine in their apartments the requisites for luxurious indulgence with the charms of nature in her most enchanting forms. There, in saloons adorned with the most beautiful marble, and paved with a { 139} brilliant imitation of porcelain, couches, covered with stuffs of gold or silver, were arranged near _jets d'eau_, whose waters glanced upward towards the vaulted roof, and spread a delicious coolness through an atmosphere embalmed by the delicate odours arising from exquisite vases of precious perfumes, mingled with the fragrant breath of the myrtle, jasmine, orange, and other sweet-scented flowers that adorned the apartments.
The beautiful palace of the Alhambra, as it now exists at Grenada,[5] presents no _façade_. It is approached through a charming avenue, which is constantly intersected by rivulets, whose streams wander in graceful curves amid groups of trees. The entrance is through a large square tower, which formerly bore the name of the _Hall of Judgment_. A religious inscription announces that it was there that the king administered justice after the ancient manner of the Hebrew and other Oriental nations. Several buildings, { 140} which once adjoined this tower were destroyed in more recent times, to give place to a magnificent palace erected by Charles V., a description of which is not necessary to our subject. Upon penetrating on the northern side into the ancient palace of the Moorish kings, one feels as if suddenly transported to the regions of fairyland. The first court is an oblong square, surrounded on each side by a gallery in the form of an arcade, the walls and ceiling of which are covered with Mosaic work, festoons, arabesque paintings, gilding, and carving in stucco, of the most admirable workmanship. All the plain spaces between these various ornaments are filled with passages transcribed from the Alkoran, or by inscriptions of a similar character to the following, which will suffice to create some idea of the figurative style of Moorish composition.