There is another legend which still more quaintly marks this transition from mild and readily accepted rule to the era of physical force. According to this story the maidens of Bohemia founded a city which they called Dĕvín from Devina, “a maiden.” The young men to maintain their independence set up an opposition town called Hrasten. The intercourse between these rival towns seems to have been sometimes friendly and sometimes hostile; but always apparently on equal terms as long as Libus̆a lived. After her death, however, the men won the day, and ever afterwards held the women under their control.
But the golden age of Queen Libus̆a is long past, when we catch sight of the Bohemians in even the earliest period of authentic history. First we have a dim vision of a great Slavonic Empire stretching northwards to the Spree, and eastwards to the Carpathians; of struggles with Avars and Huns, and, above all, with the Franks. Then suddenly, as the dim mist clears a little, we find that the Franks have become Christian, and the great struggle between German and Slav, hinted at already in the poem of “Libus̆a’s Judgment,” has begun in earnest. The centre of resistance to the German, however, is not in Bohemia, but in the neighbouring Slavonic dukedom of Moravia; and it gathers round a prince named Rostislav, who is encouraging both Moravians and Bohemians to stand firm against those peculiar ideas of Christianity, which Charles the Great and his descendants tried to thrust upon reluctant nations by fire and sword. Some Bohemians had indeed been compelled by Louis, the grandson of Charles the Great, to accept baptism; and Christian Bohemia owned the authority of the German Archbishop of Regensburg.[2]
But the Duke of Bohemia, encouraged by Rostislav, still held out against the Carlovingian form of Christianity; the Moravians defeated Louis in 849, and Rostislav strengthened his own position as the champion of Slavonic independence by an alliance with the Bulgarians. This alliance was to produce results very unexpected at the time by Rostislav, and powerfully affecting the future of Moravia and Bohemia. Boris, the powerful king of Bulgaria, had received at his Court a Christian monk named Methodius, the son of a patrician of Thessalonica. Apparently Methodius had originally been brought to the Bulgarian Court on account of his artistic talent; but he was also a very zealous Christian; and when Boris ordered him to paint such a picture, in the hall of his palace, as would strike terror into all who saw it, Methodius improved the occasion by painting a picture of the Last Judgment. The inquiries and explanations that followed prepared the way for the acceptance of the new faith by the king of Bulgaria and his subjects.