[Illustration: FIG. 52.—Bronze Arm of Statue of a Boxer, found in the Sea off Antikythera. National Museum, Athens.]
[Illustration: FIG. 53.—Forearm with Glove. From the Statue of the _Seated Boxer_ (Pl. 16). Museo delle Terme, Rome.]
Our best illustration of these more formidable gloves on statuary is the gauntlet clearly represented on the forearms of the _Seated Boxer_ of the Museo delle Terme (Fig. 53). Here a close-fitting glove covers each forearm, leaving the upper joints of the fingers free and the palm open. It extends to above the wrist and ends in a rim of fur. Over it are drawn three thick bands of leather, which cover the first joints of the fingers and are fastened together on the outside of the hands with metal clasps. A soft pad keeps these bands from chafing the fingers. They are kept in place and the wrists are strengthened by two narrow straps which are interlaced several times around hand and wrist. Similar gloves appear on the Sorrento boxer in Naples (Fig. 57),[1691] on the bronze forearm of a statue from Herculaneum in Naples,[1692] on a left fist found in 1887 in the arena at Verona,[1693] and on many other statues and fragments. The last representation in art of this sort of glove appears on the Roman relief in the Lateran, which dates from the time of Trajan, and represents a fight between two pugilists.[1694] The metal cestus was a Roman invention. None of the late Greek writers—neither Plutarch, nor Pausanias, nor Philostratos—makes any mention of this loaded glove. The “sharp thongs” were enough to cause all the injuries mentioned by the writers of the _Greek Anthology_.[1695] The cestus, perhaps used in the later gladiatorial shows in Greece, but never in the great games there, gave the death blow to real boxing. Virgil describes it and the vicious results of its use.[1696]