The boast of the age of Elizabeth was the splendid specimens of humanity which it produced. "There were giants in those days." Individuals seemed to condense in themselves the attainments of hosts. The accomplishments and prowess of the men of those times inspire us with something like the feeling of wonder with which the soldier of the present day handles the sword of Robert Bruce, or the gigantic armor of Guy of Warwick. When we read the beautiful verses "addressed to the author of the _Faerie Queene_," by Raleigh, it is difficult to believe that they were penned by the same person whose system of tactics was adopted so triumphantly at the Spanish invasion; who was equally eminent as a general, a seaman, an explorer, and a historian; and who shone unsurpassed for knightly graces and accomplishments amid the stars of the court. Such instances were not rare and prodigious. Raleigh was not the Crichton of his age; if the compliment belongs to anyone peculiarly, it is Sidney; but as we read over the list of distinguished persons to whom Spenser addressed dedicatory stanzas to be "sent with the _Faerie Queene_," we become more and more at a loss to distinguish the greatest among them; and we could believe that many ages had been searched for so noble a catalogue.
The principles which formed society were precisely such as were best calculated for the finest developments of character. The old high, fervid spirit of chivalry was not lost; there were the same sense of honor, the same knightly bearing, the same passion for glory, and the same admiration for courage and prowess that had prevailed in the earlier days of its sway. But these were tempered by milder and more attractive virtues and accomplishments; the clerkly learning, which had held so humble a rank in the days when nobles could scarcely sign their names, had now risen into far higher estimation. Great warriors were now no longer ashamed to know how to read and write; on the contrary, the possession of learning and literature, the delicate arts of poetry and music, the graces of conversation and manners, were now as requisite to the full accomplishment of the knight, as his horsemanship, or his skill in the management of his lance. In a word, the sterner characteristics of the ancient knight were softened down, in the age of Elizabeth, into the more perfect and graceful attributes of the gentleman. The perfect gentleman was more completely exhibited in the days of Elizabeth than at any time before; for the chivalry and the accomplishments which were then united in the same individual, had been formerly divided between the noble and the churchman or the clerk.