This morning as he scaled the cliff he told himself that he had never taken up a case he liked so little, or which absorbed him so much. The more he contemplated it in the golden sunshine of this new day, the more evil and the more challenging it appeared. All that he suspected and all that he almost knew had occupied his questing brain for hours to the exclusion of sleep; and in this glorious light and air, though washed in body and spirit by the fierce purity of the sea, he only saw the more clearly the darkness of the guilt in which he believed, and was more bitterly repelled by the motive at which he guessed. But now at least his zeal was awake again, and the sense of the hunt quickened. He would neither slacken nor spare; here need be no compunction. In the course of the day, he hoped, his net would be complete. He had work to do in the morning; and with very vivid expectancy, though not much serious hope, he awaited the answer to the telegram which he had shot into the sky, as it were, the day before.

The path back to the hotel wound for some way along the top of the cliff, and on nearing a spot he had marked from the sea-level, where the face had fallen away long ago, he approached the edge and looked down, hoping to follow with his eyes the most delicately beautiful of all the movements of water, the wash of a light sea over broken rock. But no rock was there. A few feet below him a broad ledge stood out, a rough platform as large as a great room, thickly grown with wiry grass and walled in steeply on three sides. There, close to the verge where the cliff at last dropped sheer, a woman was sitting, her arms about her drawn-up knees, her eyes fixed on the trailing smoke of a distant liner, her face full of some dream.

The Woman in Black — Part 57

This woman seemed to Trent, whose training had taught him to live in his eyes, to make the most beautiful picture he had ever seen. Her face of Southern pallor, touched by the kiss of the wind with color on the cheek, presented to him a profile of delicate regularity in which there was nothing hard; nevertheless the black brows bending down toward the point where they almost met gave her in repose a look of something like severity, strangely redeemed by the open curves of the mouth. Trent said to himself that the absurdity or otherwise of a lover writing sonnets to his mistress's eyebrow depended after all on the quality of the eyebrow. Her nose was of the straight and fine sort, exquisitely escaping the perdition of too much length. Her hat lay pinned to the grass beside her, and the lively breeze played with her thick dark hair, blowing backward the two broad bandeaux that should have covered much of her forehead, and agitating a hundred tiny curls from the mass gathered at the nape.

The Woman in Black — Part 57