In that letter are given all the elements of Tchehov the man. He set himself to achieve a new humanity, and he achieved it. The indifference upon which Tchehov's humanity was built was not therefore a moral indifference; it was, in the main, the recognition and acceptance of the fact that life itself is indifferent. To that he held fast to the end. But the conclusion which he drew from it was not that it made no particular difference what any one did, but that the attitude and character of the individual were all-important. There was, indeed, no panacea, political or religious, for the ills of humanity; but there could be a mitigation in men's souls. But the new asceticism must not be negative. It must not cast away the goods of civilisation because civilisation is largely a sham.

'Alas! I shall never be a Tolstoyan. In women I love beauty above all things, and in the history of mankind, culture expressed in carpets, carriages with springs, and keenness of wit. Ach! To make haste and become an old man and sit at a big table!'

Aspects of Literature — Part 49

Not that there is a trace of the hedonist in Tchehov, who voluntarily endured every imaginable hardship if he thought he could be of service to his fellow-men, but, as he wrote elsewhere, 'we are concerned with pluses alone.' Since life is what it is, its amenities are doubly precious. Only they must be amenities without humbug.

Aspects of Literature — Part 49

'Pharisaism, stupidity, and despotism reign not in bourgeois houses and prisons alone. I see them in science, in literature, in the younger generation.... That is why I have no preference either for gendarmes, or for butchers, or for scientists, or for writers, or for the younger generation. I regard trade marks and labels as a superstition. My holy of holies is the human body, health, intelligence, talent inspiration, love, and the most absolute freedom--freedom from violence and lying, whatever forms they make take. This is the programme I would follow if I were a great artist.'

Aspects of Literature — Part 49

What 'the most absolute freedom' meant to Tchehov his whole life is witness. It was a liberty of a purely moral kind, a liberty, that is, achieved at the cost of a great effort in self-discipline and self-refinement. In one letter he says he is going to write a story about the son of a serf--Tchehov was the son of a serf--who 'squeezed the slave out of himself.' Whether the story was ever written we do not know, but the process is one to which Tchehov applied himself all his life long. He waged a war of extermination against the lie in the soul in himself, and by necessary implication in others also.