It is not to be denied that the condition of the Homeric poems, before they were committed to writing, was one of great danger. But the question may well be asked, how came poems of such length to be preserved at all by mere oral transmission through a period of undefined, and possibly of very great, length? It is plain that nothing but an extraordinary celebrity, and a passionate attachment on the part of the people, could have kept them alive. Now, if we suppose this celebrity and this attachment, let us inquire further, whether they may not have supplied the means of neutralizing and counteracting, in the main, the dangers to which the poems were exposed; and whether it is unreasonable to say, That which _could_ have preserved them in their unity at all, _must_, in all likelihood, have preserved them in a tolerably genuine state. Fully admitting that the evidence in the case is imperfect, and can only lead to disputable conclusions, I nevertheless ask, What is the most probable supposition respecting the condition of the Homeric poems in the pre-historic times of Greece? Is it not this--that, with due allowance for a different state of circumstances, they were then, what they were in later times; the broad basis of mental culture; the great monument of the glory of the nation, and of each particular State or race; the prime entertainment of those prolonged festive gatherings which were so characteristic of early Greece; that they were not only the special charge and pride of particular poetical schools, but distinct objects of the care of legislators and statesmen; that in this manner they were recognised as among the institutions of the country, and that they had thus to depend for their transmission, not only on the fire of national and poetic feeling, but upon a jealous custody much resembling that which even a comparatively rude people gives to its laws?
I shall attempt a summary of the arguments and testimonies which appear to me to recommend, if they do not compel, the adoption of these conclusions.
1. Heraclides Ponticus, a pupil of Plato, in a fragment περὶ πολιτειῶν, declares that Lycurgus was the first to bring the poetry of Homer into Peloponnesus: τὴν Ὁμήρου ποίησιν, παρὰ τῶν ἀπογόνων Κρεοφύλου λαβὼν, πρῶτος διεκόμισεν εἰς Πελοπόννησον. This testimony is late with reference to the fact it reports, but not late in the history of Greek literature. Of the source from which it was derived by the author who gives it us, we know nothing. No light is thrown upon it by Ælian,[50] who adds the epithet ἀθρόαν to ποίησιν. Plutarch enlarges the expression of the tradition, but seems to add little to its matter, except that some portions of Homer were known before Lycurgus brought the whole from Crete.[51] It is stated in the Republic of Plato,[52] that Creophylus was a companion of Homer. Strabo[53] informs us that he was a Samian; and Hermodamas, the master of Pythagoras, is said by Diogenes Laertius[54] to have been his descendant. Now, we cannot call any part of these statements history; but they exhibit a body of tradition, of which the members, drawn from scattered quarters, agree with one another, and agree also with the general probability that arises out of a fact so astonishing as is in itself the actual preservation of the poems of Homer. It is in truth this fact that lays the best ground for traditions such as the one in question. If they came before us artificially complete and embellished, that might be made a ground of suspicion. But appearing, as this one does, with an evident absence of design, there is every presumption of its truth. Before considering the full force which attaches to it if it be true, we will draw out the kindred traditions.