The last year at the Conservatory was drawing to an end. It was early summer and Camilla was just ten years old. The long and difficult course of study that many a boy was proud to finish when he was nineteen, was almost over before she had entered her teens. She was paler and thinner than ever and felt glad the warm weather had come, for really, her frock was not thick enough for comfort. That terrible wolf had again howled in the dark echoing entry way of the house on the Rue Lamartine. The goodly pile of francs she had won on the German tour had melted wholly away. Mother had taken up that dreary embroidery again. There were four boys to be clothed and fed now, and Salvatore Urso found it hard work to get along.

Camilla absorbed in her music hardly knew how serious the case had become. Many a time she came home from her lessons to find that the family had been to dinner, and that something nice and warm had been saved for her. They said they had dined, but in truth they had only eaten a cheap lunch of fried potatoes or something a few sous would buy that Camilla might have a better dinner. She must be maintained in good health, and no sacrifice on their part was too great. When they had but little they took the best for her and concealed from her their own scanty meals. She was an exceedingly affectionate child and would have shared her best with her mother had she known what they silently suffered for her sake.

Camilla: A Tale of a Violin — Part 35

Her father was constantly with her when she practiced. Many an hour he stood by her side and held her left arm to help sustain the weight of her weary violin. At times he let her sit on a stool though the good student always stands with the violin. She was a growing girl and something of the rules must be relaxed. At the same time her father was a strict master and never suffered her to slight or neglect her practice. During the three years at the Conservatory he never was absent while she practiced though it averaged ten hours a day during the last year. During it all Camilla never once refused to go to her lessons and in company with her aunt or father daily walked to the Conservatory and to Massart's house.

Camilla: A Tale of a Violin — Part 35

Could they go on much longer? Their case was getting positively desperate. They had nearly struggled through the three years. It was almost over and Camilla was well nigh ready to try her fortune in the world. She must play before some of the wealthy amateur musicians and show her talents. No money would come of it but it might serve as an introduction to public life and bring her into notice so that when she did leave the Conservatory she would not be wholly unknown.

Camilla: A Tale of a Violin — Part 35