What is the secret of his widely attractive power? The answer comes in a word--he is intensely dramatic. We do not mean theatrical. He chooses a clear message to deliver, and that message--that paramount thought--is driven home to his hearers in a manner that forces itself upon every mind, no matter how reluctant. He uses short, pithy sentences, and heightens and emphasises their effect by suitable modulations of voice, by deliberate or rapid utterance as the words may require, and by vigorous and appropriate gesture. He speaks only the very pith and point of what he has to say, and then says it in the clearest and most suitably effective manner that he can possibly command. It is the thing itself we hear, rather than talk or argument all round and about it.

Thus, on one occasion, his theme was found in the text, "Jesus in the midst." "Where is the midst?" he asked in a clear and striking, sonorous voice that commanded attention at once. These were his opening words, and after a pause he proceeded in the same manner and in similar short, striking sentences to point to different ideas of "the midst," and to declare that Christ was, or should be, in the midst of the literature, science, philosophy, and business of the day. Unless ministers preached Christ, said he, they had better be silent.

The Quiver, 11/1899 — Part 40

[ILLUSTRATION: BISHOP OF RIPON. ARCHDEACON SINCLAIR. DEAN LEFROY. BISHOP OF STEPNEY.]

The Quiver, 11/1899 — Part 40

There is nothing new in this, you will say. No doubt Dr. Parker would tell you that he does not wish to preach anything new; but no one can watch him critically without concluding that he constantly studies not only what he shall say, but how he shall say it in the most striking and effective manner.

The Quiver, 11/1899 — Part 40

As a dramatic preacher, we might also instance the Rev. J. H. Jowett, who has succeeded the late Dr. Dale at Carr's Lane Congregational Church, Birmingham. To his Oxford scholarship Mr. Jowett has united an assiduous cultivation of a fine voice and vigorous yet graceful and suitable gesture, which render him a most striking and fascinating preacher.

But turning now to other styles, if Dr. Parker is one of the most dramatic, Dr. Boyd Carpenter, the learned Bishop of Ripon, is one of the most eloquent of preachers. He is also one of the most rapid. He seems so fully charged with his subject that the words pour from his lips like a torrent; his body turns first to one side and then to the other, and anon leans forward in front, as though propelled by the energy of the thought within. His hand is often held up before him with the index finger pointing, as though to lead his audience on to the next thought, and to prevent their interest or attention from flagging. But, rapid and fluent as he is, it must not be thought that he is superficial; on the contrary, there is every evidence that the discourse is well thought out, and based on a solid framework of reason, while the language is eloquent and rhetorical. And it is, as it were, to mark the network of logical deduction within the words that the index finger is brought so fully into play. We judge that his voice is naturally somewhat thin and poor, but by careful use and perhaps assiduous cultivation, and by the most beautifully clear articulation, Dr. Boyd Carpenter can make himself heard in St. Paul's with what appears to be perfect ease. There is no straining of the voice and no shouting; but in a quiet though forcible manner he sends his voice round the huge building. Further, it has been pointed out to me that he will not commence his discourse until the congregation have settled themselves down into absolute quietness, and all the rustling of dresses, and coughing, and fidgeting are stilled. Under these circumstances his voice would, of course, carry far better in a large church.