One day Agathe noticed that her poor artist was more worried than usual by the bill of his color-man, and she determined, though cursing his profession in her heart, to free him from his debts. The poor woman kept the house with the proceeds of her office, and took care never to ask Joseph for a farthing. Consequently she had no money of her own; but she relied on Philippe’s good heart and well-filled purse. For three years she had waited in expectation of his coming to see her; she now imagined that if she made an appeal to him he would bring some enormous sum; and her thoughts dwelt on the happiness she should feel in giving it to Joseph, whose judgment of his brother, like that of Madame Descoings, was so unfair.
Saying nothing to Joseph, she wrote the following letter to Philippe:--
My dear Philippe,--You have not given the least little word of remembrance to your mother for five years. That is not right. You should remember the past, if only for the sake of your excellent brother. Joseph is now in need of money, and you are floating in wealth; he works, while you are flying from fete to fete. You now possess, all to yourself, the property of my brother. Little Borniche tells me you cannot have less than two hundred thousand francs a year. Well, then, come and see Joseph. During your visit, slip into the skull a few thousand-franc notes. Philippe, you owe them to us; nevertheless, your brother will feel grateful to you, not to speak of the happiness you will give
Two days later the concierge brought to the atelier, where poor Agathe was breakfasting with Joseph, the following terrible letter:--
My dear Mother,--A man does not marry a Mademoiselle Amelie de Soulanges without the purse of Fortunatus, if under the name of Comte de Brambourg he hides that of
As Agathe fell half-fainting on the sofa, the letter dropped to the floor. The slight noise made by the paper, and the smothered but dreadful exclamation which escaped Agathe startled Joseph, who had forgotten his mother for a moment and was vehemently rubbing in a sketch; he leaned his head round the edge of his canvas to see what had happened. The sight of his mother stretched out on the floor made him drop palette and brushes, and rush to lift what seemed a lifeless body. He took Agathe in his arms and carried her to her own bed, and sent the servant for his friend Horace Bianchon. As soon as he could question his mother she told him of her letter to Philippe, and of the answer she had received from him. The artist went to his atelier and picked up the letter, whose concise brutality had broken the tender heart of the poor mother, and shattered the edifice of trust her maternal preference had erected. When Joseph returned to her bedside he had the good feeling to be silent. He did not speak of his brother in the three weeks during which--we will not say the illness, but--the death agony of the poor woman lasted. Bianchon, who came every day and watched his patient with the devotion of a true friend, told Joseph the truth on the first day of her seizure.