When you have broken the reality into concepts you never can reconstruct it in its wholeness. Out of no amount of discreteness can you manufacture the concrete. But place yourself at a bound, or _d'emblée_, as M. Bergson says, inside of the living, moving, active thickness of the real, and all the abstractions and distinctions are given into your hand: you can now make the intellectualist substitutions to your heart's content. Install yourself in phenomenal movement, for example, and velocity, succession, dates, positions, and innumerable other things are given you in the bargain. But with only an abstract succession of dates and positions you can never patch up movement itself. It slips through their intervals and is lost.
So it is with every concrete thing, however complicated. Our intellectual handling of it is a retrospective patchwork, a post-mortem dissection, and can follow any order we find most expedient. We can make the thing seem self-contradictory whenever we wish to. But place yourself at the point of view of the thing's interior _doing_, and all these back-looking and conflicting conceptions lie harmoniously in your hand. Get at the expanding centre of a human character, the _élan vital_ of a man, as Bergson calls it, by living sympathy, and at a stroke you see how it makes those who see it from without interpret it in such diverse ways. It is something that breaks into both honesty and dishonesty, courage and cowardice, stupidity and insight, at the touch of varying circumstances, and you feel exactly why and how it does this, and never seek to identify it stably with any of these single abstractions. Only your intellectualist does that,--and you now also feel why _he_ must do it to the end.
Place yourself similarly at the centre of a man's philosophic vision and you understand at once all the different things it makes him write or say. But keep outside, use your post-mortem method, try to build the philosophy up out of the single phrases, taking first one and then another and seeking to make them fit, and of course you fail. You crawl over the thing like a myopic ant over a building, tumbling into every microscopic crack or fissure, finding nothing but inconsistencies, and never suspecting that a centre exists. I hope that some of the philosophers in this audience may occasionally have had something different from this intellectualist type of criticism applied to their own works!