That first piece, indeed, which may most fitly be compared with our overture, is one in which all the instruments of a Javanese orchestra play together, and which serves as an introduction to the programme which is to follow. At times, it must be said, the cymbals would make a most discordant and deafening noise, but this was varied now and then by solos which were musical and pleasant enough to the ear. Evidently the musicians were this evening on their mettle, they exerted themselves to the utmost to deserve the applause of their simple audience; and the profound silence with which that wanton and excitable crowd sat listening, sufficiently testified to the success of their endeavours.

At the last clash of the cymbals, the people broke silence, and by ringing shouts and lively cheers gave vent to their satisfaction as a Westerly audience would have shown its approval by clapping of hands.

Baboe Dalima; or, The Opium Fiend — Part 70

Singomengolo, with the help of a couple of his assistants, and aided by the two Chinamen who kept the opium-store, then offered the notables, who were present, cigars wrapped in leaves, while sweets and confectionery were handed round to the more distinguished ladies of the company. Round the two booths several stalls had been erected, at which the lower classes could go and gratify their tastes. The satisfaction of these poor people was unbounded, when they found that all these dainties were provided free of charge, and that it was in this generous manner that Singo had determined to celebrate his return among them. On all sides, praises and thanks were lavished on his liberality. But the tempter took good care not to let them know that the tobacco of which those pleasant little cigars were made had been well steeped in infusion of opium, and that the pernicious juice of the Polyanthes tuberosa largely entered into the composition of the nice sweets he had so bountifully served out. Perfectly unconscious of this treachery the poor people thoroughly enjoyed their treat, and were loud in praises to their generous friend.

Baboe Dalima; or, The Opium Fiend — Part 70

Presently, the cymbal was heard again, and every one hurried back to his seat. At the first notes of the piece which followed a loud cheer arose; "Taroe Polo, Taroe Polo" was the cry as the people recognised the well known sounds, then all sat silent and listened with rapt attention.

Baboe Dalima; or, The Opium Fiend — Part 70