Scott's amusements at Ashestiel, besides riding, in which he was fearless to rashness, and coursing, which was the chief form of sporting in the neighbourhood, comprehended "burning the water," as salmon-spearing by torchlight was called, in the course of which he got many a ducking. Mr. Skene gives an amusing picture of their excursions together from Ashestiel among the hills, he himself followed by a lanky Savoyard, and Scott by a portly Scotch butler--both servants alike highly sensitive as to their personal dignity--on horses which neither of the attendants could sit well. "Scott's heavy lumbering buffetier had provided himself against the mountain storms with a huge cloak, which, when the cavalcade was at gallop, streamed at full stretch from his shoulders, and kept flapping in the other's face, who, having more than enough to do in preserving his own equilibrium, could not think of attempting at any time to control the pace of his steed, and had no relief but fuming and _pesting_ at the _sacré manteau_, in language happily unintelligible to its wearer. Now and then some ditch or turf-fence rendered it indispensable to adventure on a leap, and no farce could have been more amusing than the display of politeness which then occurred between these worthy equestrians, each courteously declining in favour of his friend the honour of the first experiment, the horses fretting impatient beneath them, and the dogs clamouring encouragement."[24] Such was Scott's order of life at Ashestiel, where he remained from 1804 to 1812. As to his literary work here, it was enormous.

Besides finishing _The Lay of the Last Minstrel_, writing _Marmion_, _The Lady of the Lake_, part of _The Bridal of Triermain_, and part of _Rokeby_, and writing reviews, he wrote a _Life of Dryden_, and edited his works anew with some care, in eighteen volumes, edited _Somers's Collection of Tracts_, in thirteen volumes, quarto, _Sir Ralph Sadler's Life, Letters, and State Papers_, in three volumes, quarto, _Miss Seward's Life and Poetical Works_, _The Secret History of the Court of James I_., in two volumes, _Strutt's Queenhoo Hall_, in four volumes, 12mo., and various other single volumes, and began his heavy work on the edition of Swift. This was the literary work of eight years, during which he had the duties of his Sheriffship, and, after he gave up his practice as a barrister, the duties of his Deputy Clerkship of Session to discharge regularly. The editing of Dryden alone would have seemed to most men of leisure a pretty full occupation for these eight years, and though I do not know that Scott edited with the anxious care with which that sort of work is often now prepared, that he went into all the arguments for a doubtful reading with the pains that Mr. Dyce spent on the various readings of Shakespeare, or that Mr. Spedding spent on a various reading of Bacon, yet Scott did his work in a steady, workmanlike manner, which satisfied the most fastidious critics of that day, and he was never, I believe, charged with hurrying or scamping it. His biographies of Swift and Dryden are plain solid pieces of work--not exactly the works of art which biographies have been made in our day--not comparable to Carlyle's studies of Cromwell or Frederick, or, in point of art, even to the life of John Sterling, but still sensible and interesting, sound in judgment, and animated in style.

Sir Walter Scott — Part 34