Molière and Ninon were mutually attracted, each recognizing in the other not only a kindred spirit, but something not apparent on the surface. Nature had given them the same eyes, and they saw men and things from the same view point. Molière was destined to enlighten his age by his pen, and Ninon through her wise counsel and sage reflections. In speaking of Molière to Saint-Evremond, she declared with fervor:
"I thank God every night for finding me a man of his spirit, and I pray Him every morning to preserve him from the follies of the heart."

There was a great opposition to Molière's comedy "Tartuffe." It created a sensation in society, and neither Louis XIV, the prelates of the kingdom and the Roman legate, were strong enough to withstand the torrents of invectives that came from those who were unmasked in the play. They succeeded in having it interdicted, and the comedy was on the point of being suppressed altogether, when Molière took it to Ninon, read it over to her and asked her opinion as to what had better be done. With her keen sense of the ridiculous and her knowledge of character, Ninon went over the play with Molière to such good purpose that the edict of suppression was withdrawn, the opponents of the comedy finding themselves in a position where they could no longer take exceptions without confessing the truth of the inuendoes.

When the comedy was nearly completed, Molière began trying to think of a name to give the main character in the play, who is an imposter. One day while at dinner with the Papal Nuncio, he noticed two ecclesiastics, whose air of pretended mortification fairly represented the character he had depicted in the play. While considering them closely, a peddler came along with truffles to sell. One of the pious ecclesiastics who knew very little Italian, pricked up his ears at the word truffles, which seemed to have a familiar sound. Suddenly coming out of his devout silence, he selected several of the finest of the truffles, and holding them out to the nuncio, exclaimed with a laugh: "Tartuffoli, Tartuffoli, signor Nuncio!" imagining that he was displaying his knowledge of the Italian language by calling out "Truffles, truffles, signor Nuncio," whereas, what he did say was "Hypocrites, hypocrites, Signor Nuncio." Molière who was always a close and keen observer of everything that transpired around him, seized upon the name "Tartuffe" as suitable to the hypocritical imposter in his comedy.






