Ivan Martin Jirous (23 September 1944 – 9 November 2011) was a Czech poet and dissident, best known as the artistic director of the Czech psychedelic rock group The Plastic People of the Universe, and later one of the key figures of the Czech underground during the communist regime. He is more frequently known as Magor, which can be roughly translated as "shithead", "loony", or "fool" (though meant as a positive title), a nickname given to him by the experimental poet .
Trained as an art historian but unable to work in this field in Czechoslovakia under the Communist regime, Jirous became a member of the dissident subculture, and during the period of normalisation, Jirous was imprisoned five times for his activities. His particular contribution to the dissident movement was the concept of "second culture", according to which simply expressing oneself through forbidden cultural and artistic activities would ultimately undermine the totalitarian system, a concept closely related to his friend Václav Havel's "living in truth", and Václav Benda's "parallel polis".
Jirous won the Jaroslav Seifert Prize in 2006 and the Tom Stoppard Prize in 1985 for the poem Magor's Swan Song ().
Early life
Jirous was born in Humpolec in Vysočina. His mother was a teacher, and his father worked in tax. He completed his secondary education at Dr. A Hrdlička's Secondary Comprehensive and Primary School in Humpolec (now known as Dr A Hrdlička's Gymnasium).
Initially, Jirous wanted to study at the Film and TV School of the Academy of Performing Arts in Prague (FAMU), but his cousin Jiří Padrta, editor of the journal Výtvarná práce, steered him towards art history. In 1962, Jirous sat the entrance exam to study history of art at the Philosophy Faculty of Charles University in Prague. A condition of entry for students at the time was the completion of a year in industry before beginning their studies; in Jirous' case, he had to work as a construction worker and stoker. Jirous studied between 1963 and 1968. The topic of his diploma thesis was visual poetry in the works of the poets Jiří Kolář and Henri Michaux. His sister Zara, who was two years older than him and married to the photographer , also pursued fine art.
Underground activities
In 1967, Jirous became familiar with the underground group The Primitives Group, and later in 1969 became the artistic director and manager of The Plastic People of the Universe (PPU). His wife, Věra Jirousová, wrote a lot of the band's early lyrics. Due to his opposition to his country's totalitarian regime, Jirous was prohibited from publishing his literature. Instead, he had to work as a night watchman and gardener to avoid being unemployed, which was a punishable offence.
Jirous was imprisoned five times for his underground organisation and artistic activities. He was often cautioned under paragraph 202 - "disturbing the peace".
Jirous was first imprisoned between 1973 and 1974 for an incident in a pub with a retired Security Service Major. Jirous was convicted alongside Eugen Brikcius, Daníček and Jaroslav Kořán. After singing the song "Send the Russian killers to hell where they belong" and exchanging words with the Major, Jirous ate the middle of the newspaper Rudé právo and exclaimed "Today I ate Rudé právo, just like one day we will gobble up the Bolsheviks". In June 2011, his conviction was overturned by the Supreme Court.
Jirous's most influential work was Notes on the Third Czech Musical Revival, which he published in exile in 1975. The work was considered a policy statement for the non-political Czech underground and included: Radical rejection of any form of coercion; The renunciation of any imposed artistic programme; Emphasise authenticity in life and artistic creation; Determination against totalitarian structures.
According to Jirous, "the aim of the underground is to create an alternative culture. A culture which will be independent of official communication channels, social evaluation, and the hierarchy of values as imposed by the establishment. A culture which cannot aim to destroy the establishment, for that will only play into the establishment's hands."