That there is no royal road to knowledge has long been recognised. The trouble with most of us is that we have interpreted this to mean that the acquisition of knowledge must always be a distasteful process. On the contrary, the vivid interest that is the surest guide to knowledge is also the surest smoother of the path. Given the interest that lures the student on, and he will spend years in surmounting rocks and breaking through thorny jungles, realising their difficulties perhaps, but rejoicing the more when those difficulties prove no obstacles.
The fact that the first step toward accomplishment is to create an interest has long been recognised, but attempts have been made too often to do it by devious ways, unrelated to the matter in hand. Students have been made to study history or algebra by offering prizes to the diligent and by threatening the slothful with punishment. More indirect rewards and punishments abound in all our incitements to effort and need not be mentioned here. They may often be effective, but the further removed they are from direct personal interest in the subject, the weaker and the less permanent is the result. You may offer a boy a dollar to learn certain facts in English history, but those facts will not be fixed so well or so lastingly in his mind as those connected with his last year's trip to California, which he remembers easily without offer of reward or threat of punishment.
The interest in the facts gathered by reading in connection with the average club paper is merely the result of a desire to remain in good standing by fulfilling the duties of membership; and these duties may be fulfilled with slight effort and no direct interest, as we have already seen.
If interest were present even at the inception of the programme, something would be gained; but in too many cases it is not. The programme committee must make some kind of a programme, but what it is to be they know little and care less.
Two women recently entered a branch library and asked the librarian, who was busy charging books at the desk, what two American dramatists she considered "foremost." This was followed by the request, "Please tell me the two best plays of each of them." A few minutes later the querists returned and asked the same question about English dramatists, and still later about German, Russian, Italian and Spanish writers of the drama. Each time they eagerly wrote down the information and then retired to the reading-room for a few minutes' consultation.