It is a noticeable fact that the figures in this picture of Christ preaching are Dutch types. If you think that this is a strange way to illustrate scenes which took place in Palestine many centuries ago, you must remember that the picture was drawn by a Dutchman who knew nothing of Palestine, and indeed little of any country outside his own Holland. He wished to make the life of Christ seem real and vivid to his own countrymen; and the only way he could do this was to represent the scenes in the surroundings most familiar to himself and to them. The artist was simply trying to imagine what Jesus would do if he had come to Amsterdam in the seventeenth century, instead of to Jerusalem in the first century; somewhat as certain modern writers have tried to think what would take place "If Jesus came to Chicago," or "If Jesus came to Boston," in the nineteenth century. The sweet gentleness in the face of Christ and the eager attention of the people show how well Rembrandt understood the real meaning of the New Testament.

This picture is worthy of very special study because it is reckoned by critics one of the best of Rembrandt's etchings. One enthusiastic writer[8] says that "the full maturity of his genius is expressed in every feature." One must know a great deal about the technical processes of etching to appreciate fully all these excellencies; but even an inexperienced eye can see how few and simple are the lines which produce such striking effects of light and shadow: a scratch or two here, a few parallel lines drawn diagonally there; some coarse cross-hatching in one place, closer hatching in another; now and then a spot of the black ink itself,--and the whole scene is made alive, with Jesus standing in the midst, the light gleaming full upon his figure.

Rembrandt — Part 24

The picture of Christ at Emmaus illustrates an event in the narrative of Christ's life which took place on the evening of the first Easter Sunday. It was now three days since the Crucifixion of Christ just outside Jerusalem, and the terrible scene was still very fresh in the minds of his disciples. It happened that late in the day two of them were going to a village called Emmaus, not very far from Jerusalem.

Rembrandt — Part 24

They made the journey on foot, and as they walked along the way, "they talked together," says the evangelist[9] who tells the story, "of all those things which had happened. And it came to pass, that, while they communed together and reasoned, Jesus himself drew near, and went with them. But their eyes were holden that they should not know him. And he said unto them, 'What manner of communications are these that ye have one to another, as ye walk, and are sad?' And the one of them, whose name was Cleopas, answering said unto him, 'Art thou only a stranger in Jerusalem, and hast not known the things which are come to pass there in these days?' And he said unto them, 'What things?' And they said unto him, 'Concerning Jesus of Nazareth.'" Then followed a conversation in which they told the stranger something of Jesus, and he in turn explained to them many things about the life and character of Jesus which they had never understood.

Rembrandt — Part 24