There are Ritualistic services at Saint Cow's, and he renders the organ-accompaniments with such unusual freedom from reminiscences of the bacchanalian repertory, that the Gospeler is impelled to compliment him as they leave the cathedral.

"You're in fine tone to-day, BUMSTEAD. Not quite so much volume to your playing as sometimes, but still the tune could be recognized."

Punchinello Vol. 1, No. 21, August 20, 1870 — Part 6

"That, sir," answers the organist, explainingly, "was because I held my right wrist firmly with my left hand, and played mostly with only one finger. The method, I find, secures steadiness of touch and precision in hitting the right key."

Punchinello Vol. 1, No. 21, August 20, 1870 — Part 6

"I should think it would, Mr. BUMSTEAD. You seem to be more free than ordinarily from your occasional indisposition."

Punchinello Vol. 1, No. 21, August 20, 1870 — Part 6

"I am less nervous, Mr. SIMPSON," is the reply. "I've made up my mind to swear off, sir.--I'll tell you what I'll do, SIMPSON," continues the Ritualistic organist, with sudden confidential affability. "I'll make an agreement with you, that whichever of us catches the other slipping-up first in the New Year, shall be entitled to call for whatever he wants."

"Bless me! I don't understand," ejaculates the Gospeler.

"No matter, sir. No matter!" retorts the mystic of the organ-loft, abruptly returning to his original gloom. "My company awaits me, and I must go."

"Excuse me," cries the Gospeler, turning back a moment; "but what's the matter with your coat?"

The other discovers the condition of his tucked-up coat-tail with some fierceness of aspect, but immediately explains that it must have been caused by his sitting upon a folding-chair just before leaving home.

So, humming a savage tune in make-belief of no embarrassment at all in regard to his recently disordered garment, Mr. BUMSTEAD reaches his boarding-house. At the door he waits long enough to examine his umbrella, with scowling scrutiny, in every rib; and then _he_ enters.

Behind the red window-curtain of the room of the dinner-party shines the light all night, while before it a wailing December gale rises higher and higher. Through leafless branches, under eaves and against chimneys, the savage wings of the storm are beaten, its long fingers caught, and its giant shoulder heaved. Still, while nothing else seems steady, that light behind the red curtain burns unextinguished; the reason being that the window is closed and the wind cannot get at it.