It may therefore be asserted that Lady Mason's widowed life was successful. That it was prudent and well conducted no one could doubt. Her neighbours of course did say of her that she would not drink tea with Mrs. Arkwright of Mount Pleasant villa because she was allowed the privilege of entering Sir Peregrine's drawing-room; but such little scandal as this was a matter of course. Let one live according to any possible or impossible rule, yet some offence will be given in some quarter. Those who knew anything of Lady Mason's private life were aware that she did not encroach on Sir Peregrine's hospitality. She was not at The Cleeve as much as circumstances would have justified, and at one time by no means so much as Mrs. Orme would have desired.

In person she was tall and comely. When Sir Joseph had brought her to his house she had been very fair,--tall, slight, fair, and very quiet,--not possessing that loveliness which is generally most attractive to men, because the beauty of which she might boast depended on form rather than on the brightness of her eye, or the softness of her cheek and lips. Her face too, even at that age, seldom betrayed emotion, and never showed signs either of anger or of joy. Her forehead was high, and though somewhat narrow, nevertheless gave evidence of considerable mental faculties; nor was the evidence false, for those who came to know Lady Mason well, were always ready to acknowledge that she was a woman of no ordinary power. Her eyes were large and well formed, but somewhat cold. Her nose was long and regular. Her mouth also was very regular, and her teeth perfectly beautiful; but her lips were straight and thin. It would sometimes seem that she was all teeth, and yet it is certain that she never made an effort to show them. The great fault of her face was in her chin, which was too small and sharp, thus giving on occasions something of meanness to her countenance. She was now forty-seven years of age, and had a son who had reached man's estate; and yet perhaps she had more of woman's beauty at this present time than when she stood at the altar with Sir Joseph Mason. The quietness and repose of her manner suited her years and her position; age had given fulness to her tall form; and the habitual sadness of her countenance was in fair accordance with her condition and character. And yet she was not really sad,--at least so said those who knew her. The melancholy was in her face rather than in her character, which was full of energy,--if energy may be quiet as well as assured and constant.

Orley Farm — Part 15