‘Don’t you think so?’ said Laurie. ‘But when art becomes a passion, you know----’
‘I don’t hold with passion,’ said Forrester. ‘It stands to reason, Mr. Renton, that a thing as is to hang for ages and ages on a wall, didn’t ought to have no violence about it. I hate to see them poor things a-hurting of themselves for centuries. You look at ’em, sir,’ he added, pointing to an old picture, in which the action was somewhat violent, which hung in the hall; ‘they couldn’t do that nohow, not if they were paid millions for it. Me and Shaw was talking it over the last time he was here. I don’t hold with that sort of passion, not in a picture. And I don’t always hold with master himself, Mr. Renton, between you and me. He’s been swearing hawful, sir, over that poor tibbie there. And what business has any man, sir, to have his tibbie in such a hattitude? It’s hoisted right round, nigh out of its socket. I wouldn’t do it, not for no money, if it was me.’
‘But you have no such fault to find with Mrs. Severn,’ said Laurie, who, in the impatience of youthful criticism, had made a similar observation to himself.
‘Bless you, sir, there’s never nothing out of harmony in them groups,’ said Forrester; ‘and easy, too, to tell why. Not as I’m a-making light of her heye; she’s got a fine heye for a lady, sir,--in composition;--but, seeing it’s her own little things as is the models, would she put ’em in hattitudes to hurt ’em, Mr. Renton? You may take your oath as a lady wouldn’t. Master, he pays his models, and he don’t care. Will you walk up, or will I go and say you’re here?’