Our Lady seated, with the Infant Saviour in her Lap, by Murillo.
St Bruno talking to the Pope, by Zurbarán.
Our Lady of the Immaculate Conception, by J. Valdes Leal.
Our Lady of the Immaculate Conception. The Virgin surrounded by Cherubim. By Fr. Pacheco.
Our Lord’s Miracle of the Loaves and Fishes, by Murillo.
Moses striking the Rock in Horeb, by Murillo.
St John of God, sinking under the Weight of a Sick Man, assisted by an Angel, by Murillo.
The Death of St Hermenigild, by J. de las Roelas.
The End of this World’s Glories, by Valdes Leal.
The Pietà, or the Virgin supporting the Dead Body of her Divine Son, Altar-screen, by Luis de Vargas.
St Joseph holding the Infant Saviour in His Arms, by Murillo.
The Death of Laocoön and his Sons at the Siege of Troy, by El Greco.
Caton of Utique tearing open his wounds, by Josef Ribera.
Pietà. The Virgin holding the Dead Saviour in her Arms, by Morales.
The Miracle of St Vœu. St Hugo in the Refectory with several Chartreux, by Zurbarán.
The Martyrdom of St Andrew, by J. de las Roelas.
Portrait of the Figure in Pacheco’s Picture at Seville, supposed to represent Cervantes.]
The Virgin and the Child Jesus, by Alonso Cano.
The Descent from the Cross, by Alejo Fernandez.
_Specially drawn for The Spanish Series_]
Cathedral. Silver Tabernacle (weighing 45 arrobas).]
House of Pilate. The Goddess Pallas Pacifer.]
Railway Station of M.Z.A. Principal Façade.]
The Cathedral. Our Lord Crucified. Sculpture in the Sacristy.]
_Specially drawn for The Spanish Series_]
[A] There is one picture only by Roelas in the Prado. His work is hardly known outside Seville. In England we have at least one of his pictures, a fine example, in a private collection.
[B] There is a picture by El Greco, the wonderful portrait of himself, in the Museum. It came quite recently from the Palace of San Telmo, where also was once the really grand picture, “The Death of Laocoön and his Sons at the Siege of Troy.” The remarkable and interesting “Trinity” in the Cathedral, attributed to El Greco, is the work of his pupil Luis Tristan, a painter neglected too long. Seville has no picture by Navarrete; the one work of Morales, the triptych in the Sacristiá de los Calices of the Cathedral, is not typical of his strange power.