That there were evil counsellors among his consort’s bosom friends none knew better than the Emperor, who said to her:

You admit to your most intimate friendship a heap of people who do not wish either of us any good, and who are no better than spies. You tell them a thousand things without thinking of what you are saying. Nigra [he was the Italian Ambassador], Metternich, and the rest only “spoon” you to get your secrets out of you! You may take it as certain that every word you say to them, or in their hearing, finds its way to Turin or Vienna. You place too much reliance in them, and in return for your confidence they are for ever doing their best to “pump” you.

The Comedy and Tragedy of the Second Empire — Part 43

Did not events prove that the Emperor was right?

The Comedy and Tragedy of the Second Empire — Part 43

Quite early in the reign the Empress became a dissatisfied and disappointed woman. Many untoward circumstances combined to produce, with welcome intervals, a disorganization of the family life at the Tuileries, or wherever the Court happened to be. There were, too, those famous charades, remarkable for the lavish display of feminine charms, and resulting in much hostile criticism at second-hand. This entertainment was referred to by the Empress in a letter written by her to the Emperor (July 13, 1860):

The Comedy and Tragedy of the Second Empire — Part 43

I thank you for your welcome letter. I am much better now than I was a few days ago. When I left Fontainebleau I felt ill both in mind and body, having been feverish, and suffering from an irritation of the chest which compelled me on two successive days to go to bed soon after I was up. The weather and the calm of St. Cloud have worked wonders for me, and you will find me in good health and delighted to see you.

Your philosophic reflections are very beautiful; the thing is to put them in practice. I am very weak against that malice which is not based upon _hatred_. When, by chance, I find in my way people endeavouring to make mischief out of nothing, and tearing reputations to tatters for lack of something better to do, I feel inexpressibly sad, because I say to myself: “One must be very wicked to find pleasure in vexing and injuring those with whom one shakes hands, for not only do the blows show, but defiance takes the place of all other sentiments, and, as the anonymous is masked by friendship, we distrust people without knowing why.” These are the reasons why you found me so sad lately at Fontainebleau.