Even the Irish and Highlanders of the humblest class seem to lay aside their ancient superstitions on becoming denizens of the woods of Canada. I heard a friend exclaim, when speaking of the want of interest this country possessed, “It is the most unpoetical of all lands; there is no scope for imagination; here all is new—the very soil seems newly formed; there is no hoary ancient grandeur in these woods—no recollections of former deeds connected with the country. The only beings in which I take any interest are the Indians, and they want the warlike character and intelligence that I had pictured to myself they would possess.”

This was the lamentation of a poet. Now, the class of people to whom this country is so admirably adapted are formed of the unlettered and industrious labourers and artisans. They feel no regret that the land they labour on has not been celebrated by the pen of the historian, or the lay of the poet. The earth yields her increase to them as freely as if it had been enriched by the blood of heroes. They would not spare the ancient oak from feelings of veneration, nor look upon it with regard for any thing but its use as timber. They have no time, even if they possessed the taste, to gaze abroad on the beauties of nature; but their ignorance is bliss.

Canadian Scenery, Volume II (of 2) — Part 92

After all, these are imaginary evils, and can hardly be considered just causes for dislike to the country. They would excite little sympathy among every-day men and women, though doubtless they would have their weight with the more refined and intellectual members of society, who naturally would regret that taste, learning, and genius should be thrown out of its proper sphere.

Canadian Scenery, Volume II (of 2) — Part 92

For myself, though I can easily enter into the feelings of the poet and the enthusiastic lover of the wild and the wonderful of historic lore, I can yet make myself very happy and contented in this country. If its volume of history is yet a blank, that of nature is open, and eloquently marked by the finger of God; and from its pages I can extract a thousand sources of amusement and interest whenever I take my walks in the forest or by the borders of the lakes.

Canadian Scenery, Volume II (of 2) — Part 92

But I must now tell you of our sugar-making, in which I take rather an active part Our experiment was on a very limited scale, having but one kettle, besides two iron tripods; but it was sufficient to initiate us in the art and mystery of boiling the sap into molasses, and finally the molasses down to sugar.