The ranks of the rhymers of the day are thronged with women, among the better of whom is the author of "Edelweiss,"[22] who has gathered her occasional verses into a pretty volume under the title of that graceful and tender little poem. Her title-page bears no publisher's name and her dedication to friends, whose loving kindness has welcomed them one by one, and at whose request they have been gathered together, seems to imply that they are privately printed. If this is because no publisher would undertake the production of the volume, we do not wonder; not because of the inferiority of the poems, for they are much better than many that do find publishers. They belong to a large class in which the world cannot be brought to take any great interest--verses expressive of various emotions, love, devotion, resignation, and so forth, which are all uttered with fervor or with tenderness, verses graceful in style, and in good rhythm, and which yet produce no great impression; while on the other hand they are much above that sentimental or that sententious twaddle which sometimes finds many admirers. It is sad to see so much of this sort of verse published; for it is the occasion and the sign of woful disappointment to persons of unusual intelligence and true poetic feeling, who, however, have not in any great measure the poetic faculty.
--"Frithiof's Saga" has been often translated into English, and we have here the result of one more effort to give us the great Swedish poem in our own language.[23] The principal difference between this translation and its predecessors is that this preserves the changing metres of the original. It was undertaken chiefly because it seems the Swedes have not been satisfied with the previous translations because they did not follow the metre of the original. The reason is not a good one, and the result of the attempt to conform to it is not very happy. There is no question of pleasing the Swedes with a translation into English. It is English ears that are to be consulted by what is written in English, whether original or not. The Swedes have the original; that is for them; the English version is for us. The effect of the many and great changes in the rhythm and in the form of the verse is not pleasant to our taste; and indeed we are inclined to think that the best translation of this or of any other "Saga" would be into rhythmic prose, which embodied the spirit, but did not simulate the form of the original.