In his _Mémoires d'outre-tombe_ he writes: "But have I in my _Itinéraire_ really told everything about that voyage on which I embarked from the port of Desdemona and Othello? Was it in the spirit of repentance that I sought the sepulchre of Christ? _One single thought_ consumed me; I counted the moments with impatience. Standing on the deck of my ship, with my eyes fixed on the evening star, I prayed for a fair wind to carry me swiftly onwards, for fame--in order that I might be loved. I hoped to win fame in Sparta, at Mount Zion, at Memphis, at Carthage, and to carry it with me to the Alhambra. Would another remember me with as great steadfastness as mine under my probation?... If I secretly enjoy a moment's happiness, it is disturbed by memories of those days of seduction, of enchantment, of madness."

This is the language of a modern Tannhäuser, looking back with longing to his Venusberg. Chateaubriand has evidently forgotten that he had attributed to himself the emotions and aims of a medieval pilgrim. The lady who had given him a rendezvous at the Alhambra was a young Madame de Mouchy, who died insane. Contemporaries represent her as a marvel of beauty, charm, and refinement. Chateaubriand had been married since 1792. His marriage was undoubtedly a rash and foolish one, but, as the ardent champion of Christian morality, he ought to have considered himself bound by it, regardless of circumstances. In his _Mémoires_ he tells how it came about: "The negotiations were entered into without my knowledge. I had not seen Mademoiselle de Lavigne more than three or four times.... I did not feel myself at all fitted to be a husband. All my illusions were still strong; nothing was exhausted in me; the vigour of life had been redoubled in me by my travels. I was constantly tormented by my muse. My sister had a high opinion of Mademoiselle de Lavigne, and saw in this marriage an independent position for me. Arrange it, then, said I. As a public man I am not to be influenced, but in private life I am the prey of any one that chooses to take possession of me; to avoid an hour's annoyance I could let myself be made a slave for half a century." Fortunately, he did not feel himself a slave.

Main Currents in Nineteenth Century Literature, Vol. III (of 6) The Reaction in France — Part 106