There were other Range forts, smaller, but as stoutly and ingeniously designed, each built beside a water source on Rennie land--defense points for _Don_ Cazar's riders, their garrisons rotated at monthly intervals. And Drew had to thank that system for having taken Johnny Shannon away from the Stronghold before the Kentuckian arrived. Rennie's foster son was now riding inspection between one water-hole fortification and another. But Drew was uncertain just how he would rub along with Shannon in the future.
"_Señor_ Kirby, _Don_ Cazar--he would speak with you in the Casa Grande," León Rivas called through one of the patio side windows.
"Coming." Drew left the huddle of his possessions on the bunk.
The Casa Grande of the Stronghold was a high-ceilinged, five-room building about sixty feet long, the kitchen making a right angle to the other rooms and joining the smoke house to form part of another wall for the patio. Mesquite logs, adze-hewn and only partially smoothed, were placed over the doorways, and the plank doors themselves were slung on hand-wrought iron hinges or on leather straps, from oak turning-posts. Drew knocked on the age-darkened surface of the big door.
Here in contrast to the brilliant sunlight of the patio was a dusky coolness. There were no glass panes in the windows. Manta, the unbleached muslin which served to cover such openings in the frontier ranches, was tacked taut, allowing in air but only subdued light. The walls had been smoothly plastered, and as in Topham's office, lengths of colorful woven materials and a couple of Navajo blankets served as hangings. Rugs of cougar and wolf skin were scattered on the beaten earth of the floor. There was a tall carved cupboard with a grilled door, a bookcase, and two massive chests shoved back against the walls. And over the stone mantel of the fireplace hung a picture of a morose-looking, bearded man wearing a steel breastplate, the canvas dim and dark with age and smoke.
_Don_ Cazar was seated at a table as massive as the chests, a pile of papers before him flanked by two four-branch candelabra of native silver. Bartolomé Rivas' more substantial bulk weighed down the rawhide seat of another chair more to one side.