William-Adolphe Bouguereau (; 30 November 1825 – 19 August 1905) was a French academic painter. In his realistic genre paintings, he used mythological themes, making modern interpretations of classical subjects, with an emphasis on the female human body. During his life, he enjoyed significant popularity in France and the United States, was given numerous official honors, and received top prices for his work. As the quintessential salon painter of his generation, he was reviled by the Impressionist avant-garde. By the early twentieth century, Bouguereau and his art fell out of favor with the public, due in part to changing tastes. In the 1980s, a revival of interest in figure painting led to a rediscovery of Bouguereau and his work. He finished 822 known paintings, but the whereabouts of many are still unknown.
Life and career
Formative years
William-Adolphe Bouguereau was born in La Rochelle, France, on 30 November 1825, into a family of wine and olive oil merchants. The son of Théodore Bouguereau (born 1800) and Marie Bonnin (1804), known as Adeline, William was brought up a Catholic. He had an elder brother, Alfred, and a younger sister, Marie (known as Hanna), who died when she was seven. The family moved to Saint-Martin-de-Ré in 1832. Another sibling, Kitty, was born in 1834. At the age of twelve, Bouguereau went to Mortagne-sur-Gironde to stay with his uncle Eugène, a priest, and developed a love of nature, religion, and literature. In 1839, he was sent to study for the priesthood at a Catholic college in Pons. Here he learned to draw and paint from Louis Sage, who had studied under Ingres. Bouguereau then reluctantly left his studies to return to his family, now residing in Bordeaux. There he met a local artist, Charles Marionneau, and commenced at the Municipal School of Drawing and Painting in November 1841. Bouguereau also worked as a shop assistant, hand-colouring lithographs and making small paintings that were reproduced using chromolithography. He was soon the best pupil in his class and decided to become an artist in Paris. To fund the move, he sold portraits – 33 oils in three months. All were unsigned and only one has been traced. In 1845, he returned to Mortagne to spend more time with his uncle. He arrived in Paris in March 1846, aged twenty.
Bouguereau became a student at the . To supplement his formal training in drawing, he attended anatomical dissections and studied historical costumes and archeology. He was admitted to the studio of François-Édouard Picot, where he studied painting in the academic style. Dante and Virgil in Hell (1850) was an early example of his neo-classical works. Academic painting placed the highest status on historical and mythological subjects and Bouguereau determined to win the , which would gain him a three-year residence at the Villa Medici in Rome, Italy, where, in addition taking formal lessons, he could study firsthand the Renaissance artists and their masterpieces, as well as Greek, Etruscan, and Roman antiquities.
Villa Medici, Rome 1851–1854
The young artist entered the contest in April 1848. Soon after work began there were riots in Paris, and Bouguereau enrolled in the National Guard. After an unsuccessful attempt to win the prize, he entered again in 1849. Following 106 days of competition, he again failed to win. His third attempt commenced unsuccessfully in April 1850 with Dante and Virgil but five months later, he heard he had won a joint first prize for Shepherds Find Zenobia on the Banks of the Araxes.
Along with other category winners, he set off for Rome in December and finally arrived at the Villa Medici in January 1851. Bouguereau explored the city, making sketches and watercolours as he went. He also studied classical literature, which influenced his subject choice for the rest of his career. He walked to Naples and on to Capri, Amalfi and Pompeii. Still based in Rome and working hard on course work, there were more explorations of Italy in 1852. Although he had a strong admiration for all traditional art, he particularly revered Greek sculpture, Leonardo da Vinci, Raphael, Michelangelo, Titian, Rubens and Delacroix. In April 1854, he left Rome and returned to La Rochelle.