As to the lessons which the early literature of Buddhism may teach us, I need not dwell on them at present. If I may judge from the numerous questions that are addressed to me with regard to that religion and its striking coincidences with Christianity, Buddhism has already become a subject of general interest, and will and ought to become so more and more.[104] On that whole class of literature, however, it is not my intention to dwell in this short course of Lectures, which can hardly suffice even for a general survey of Vedic literature, and for an elucidation of the principal lessons which, I think, we may learn from the Hymns, the Brâhma_n_as, the Upanishads, and the Sûtras.

It was a real misfortune that Sanskrit literature became first known to the learned public in Europe through specimens belonging to the second, or, what I called, the Renaissance period. The Bhagavadgîtâ, the plays of Kâlidâsa, such as _S_akuntalâ or Urva_s_î, a few episodes from the Mahâbhârata and Râmâya_n_a, such as those of Nala and the Ya_gñ_adattabadha, the fables of the Hitopadesa, and the sentences of Bhart_ri_hari are, no doubt, extremely curious; and as, at the time when they first became known in Europe, they were represented to be of extreme antiquity, and the work of a people formerly supposed to be quite incapable of high literary efforts, they naturally attracted the attention of men such as Sir William Jones in England, Herder and Goethe in Germany, who were pleased to speak of them in terms of highest admiration. It was the fashion at that time to speak of Kâlidâsa, as, for instance, Alexander von Humboldt did even in so recent a work as his Kosmos, as "the great contemporary of Virgil and Horace, who lived at the splendid court of Vikramâditya," this Vikramâditya being supposed to be the founder of the Samvat era, 56 B.C. But all this is now changed. Whoever the Vikramâditya was who is supposed to have defeated the _S_akas, and to have founded another era, the Samvat era, 56 B.C., he certainly did not live in the first century B.C. Nor are the Indians looked upon any longer as an illiterate race, and their poetry as popular and artless. On the contrary, they are judged now by the same standards as Persians and Arabs, Italians or French; and, measured by that standard, such works as Kâlidâsa's plays are not superior to many plays that have long been allowed to rest in dust and peace on the shelves of our libraries. Their antiquity is no longer believed in by any critical Sanskrit scholar. Kâlidâsa is mentioned with Bhâravi as a famous poet in an inscription[105] dated A.D. 585-6 (507 _S_aka era), and for the present I see no reason to place him much earlier. As to the Laws of Manu, which used to be assigned to a fabulous antiquity,[106] and are so still sometimes by those who write at random or at second-hand, I doubt whether, in their present form, they can be older than the fourth century of our era, nay I am quite prepared to see an even later date assigned to them. I know this will seem heresy to many Sanskrit scholars, but we must try to be honest to ourselves. Is there any evidence to constrain us to assign the Mânava-dharma-_s_âstra, such as we now possess it, written in continuous _S_lokas, to any date anterior to 300 A.D.? And if there is not, why should we not openly state it, challenge opposition, and feel grateful if our doubts can be removed?

India: What can it teach us? — Part 64